Skeleton Keys
Bob Dylan 1966
by
A summary of recording &
concert activities,
releases, tapes & books.
|
© 2000 by
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4.5 Interviews and press conferences
The year
many regard as Bob Dylan's best, with the famous World Tour spanning North
America,
|
[TOP]
26 January |
Dylan appears in the early morning talk show
of Bob Fass, participating in a two hour long
phone-in. |
February |
Release of the single One Of Us Most Know/Queen Jane Approximately |
4 February |
The North American tour continues with a show
in |
14–17 February |
Recording for BLONDE ON BLONDE is resumed in |
8–9 March |
Last BLONDE
ON BLONDE sessions in |
12 March |
Robert Shelton interviews Dylan on a flight
between |
25 March |
The acoustic half at the show in Center Arena, |
26 March |
Last concert in North America for almost
eight years in |
April |
Release of the single Rainy Day Women # 12 & 35/ Pledging My Time. In the |
13 April |
The World Tour proper starts with a show at
the Sydney Stadium in |
21 April |
Parts of the press conference at
the Adelaide airport is broadcast at the local radio. |
28 April |
Press
conference in |
16 May |
Release of BLONDE ON BLONDE. |
17 May |
The show at Free Trade Hall in |
24 May |
The show at Dylan's 25th birthday at the |
27 May |
Royal
Albert Hall, London. This turns out to be the last show of the 1966 World Tour and the last
Bob Dylan concert until the “come-back” with The Band in January 1974. |
April-May |
The European leg of the World Tour is again
filmed by D.A. Pennebaker.
It is later edited by Bob Dylan and Howard Alk. The
premiere is delayed until February 8, 1971. |
Late May |
Vacation in |
June |
Release of single I Want You/Just Like Tom Thum's Blues,
the B-side being a live version from |
Early Summer |
Birth of first son, Jesse Byron. |
July 29 |
While riding around Albert Grossman's estate
in |
August |
Release of single Just Like A Woman/Obviously Five Believers. |
[TOP]
During the
first part of the tour in
Robbie Robbertson (guitar),
Garth
Richard
Manuel (piano),
Rick Danko
(bass),
Sandy
Konikoff (drums).
When the
tour continued in
J means there is a recording this
show or parts of it
February
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4 |
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5 |
|
J |
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6 |
|
J |
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10 |
|
Ellis
Auditorium Amphitheater |
|
|
11 |
|
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|
12 |
|
Arena |
|
|
18 |
|
New Haven
Arena |
|
|
19 |
|
Auditorium, |
|
|
20 |
|
Place des
Arts |
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|
?? |
|
PNE Agrodome |
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|
24 |
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|
25 |
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26 |
|
J |
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March |
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|
3 |
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Convention
Hall |
|
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5 |
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11 |
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12 |
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Persching
Memorial Auditorium |
|
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13 |
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|
?? |
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|
?? |
|
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24 |
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25 |
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Center
Arena |
|
|
26 |
PNE Agrodome |
|
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April |
|
|
|
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|
9 |
Honolulu, Hawaii |
Honolulu International Center |
|
|
13 |
Sydney
Stadium |
J |
|
|
14 |
|
Sydney
Stadium |
|
|
15 |
|
Festival
Hall |
|
|
19 |
Festival
Hall |
J |
|
|
20 |
Festival
Hall |
J |
|
|
22 |
|
Palais
Royal |
|
|
23 |
|
Capitol
Theatre |
|
|
29 |
Konserthuset, |
J |
|
May |
|
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|
1 |
KB-Hallen |
|
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|
5 |
Adelphi
Theatre |
J |
|
|
6 |
ABC |
J |
|
|
10 |
|
J |
|
|
11 |
Capitol
Theatre |
|
|
|
12 |
Odeon |
|
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|
14 |
Odeon |
J |
|
|
15 |
De Montfort
Hall |
|
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|
16 |
Gaumont
Theatre |
|
|
|
17 |
Free
Trade Hall |
J |
|
|
19 |
Odeon |
|
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|
20 |
ABC
Theatre |
J |
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21 |
|
Odeon |
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|
24 |
|
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|
|
26 |
Royal
Albert Hall |
J |
|
|
27 |
Royal
Albert Hall |
J |
[TOP]
As far as
is known the set always consisted of 7
songs with Bob Dylan on vocal guitar and harmonica. After a 15-minute
intermission Dylan returned with his band and they performed 8 songs. There
were no encores. The set list stayed pretty much the same at least from
|
|
February |
April |
May |
|
||||||||||||||||
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|
5 |
6 |
26 |
13 |
20 |
29 |
1 |
5 |
6 |
10 |
12 |
14 |
15 |
16 |
17 |
19 |
20 |
26 |
27 |
|
She Belongs To Me |
AC |
1 |
1 |
1 |
1 |
1 |
1 |
|
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|
1 |
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1 |
1 |
1 |
|
1 |
1 |
1 |
|
To Ramona |
AC |
2 |
2 |
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Visions Of Johanna |
AC |
3 |
3 |
3 |
3 |
3 |
3 |
|
X |
|
3 |
|
|
3 |
3 |
3 |
|
3 |
3 |
3 |
|
It's All Over Now, Baby Blue |
AC |
4 |
|
4 |
4 |
4 |
4 |
|
X |
|
4 |
|
|
4 |
4 |
4 |
|
4 |
4 |
4 |
|
Desolation Row |
AC |
5 |
4 |
5 |
5 |
5 |
5 |
|
X |
|
5 |
|
|
5 |
5 |
5 |
|
5 |
5 |
5 |
|
Love Minus Zero/No Limit |
AC |
6 |
5 |
6 |
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Mr. Tambourine Man |
AC |
7 |
6 |
7 |
7 |
7 |
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X |
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7 |
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7 |
7 |
7 |
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7 |
7 |
7 |
|
Tell Me, Momma |
|
8 |
|
8 |
8 |
8 |
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X |
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8 |
|
X |
8 |
8 |
8 |
1 |
8 |
8 |
8 |
|
I Don't Believe You |
|
9 |
|
9 |
9 |
|
X |
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|
X |
9 |
|
X |
9 |
9 |
9 |
|
9 |
9 |
9 |
|
Positively |
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X |
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15 |
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Like A Rolling Stone |
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|
X |
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X |
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15 |
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15 |
15 |
|
15 |
15 |
15 |
|
Fourth Time Around |
AC |
|
|
2 |
2 |
2 |
X |
|
X |
|
2 |
|
|
2 |
2 |
2 |
|
2 |
2 |
2 |
|
Baby Let Me Follow You Down |
|
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10 |
10 |
X |
X |
X |
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|
10 |
|
X |
10 |
10 |
10 |
|
10 |
10 |
10 |
|
Just Like Tom Thumb's Blues |
|
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|
11 |
11 |
X |
X |
X |
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11 |
|
X |
11 |
11 |
11 |
|
11 |
11 |
11 |
|
Leopard-Skin Pill-Box Hat |
|
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12 |
12 |
|
X |
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12 |
|
X |
|
12 |
12 |
|
12 |
12 |
12 |
|
One Too Many Mornings |
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13 |
13 |
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X |
X |
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13 |
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13 |
13 |
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13 |
13 |
13 |
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Just Like A Woman |
AC |
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6 |
6 |
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X |
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6 |
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6 |
6 |
6 |
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6 |
6 |
6 |
|
Ballad Of A Thin Man |
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14 |
|
X |
X |
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|
14 |
1 |
|
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14 |
14 |
2 |
14 |
14 |
14 |
|
X denotes
that the exact position in the show is not known. Entries in italics denotes
“known but not in circulation”.
The
audience tapes from this period are generally very poor. Only Pittsburgh,
February 6 is listenable. The tape from Stockholm is very fragmentary. The guy
who taped this concert only taped the beginning of most songs since he was
afraid to run out of tape. The PA tapes are on the other hand very good and
have been widely bootlegged through the years.
26
January |
WBAI
Studios, New York City, New York |
1243 |
|
20
February |
Place Des
Arts, Montreal, Quebec, Canada |
1290 |
|
April |
Melbourne,
Victoria, Australia |
1340 |
|
21 April |
Roger
Cardwell interview Bob
Francis interview |
Adelaide,
South Australia, Australia |
1350 |
28 April |
Hotel
Flamingo, Solna, Sweden |
1370 1380 |
|
3 May |
Mayfair
Hotel, London, England |
1430 |
|
23 May |
Hotel
Georges V, Paris, France |
|
[TOP]
This double
album was released May 16, 1966 and on CD first time April 1987 with several shorter
mixings, later remixed and re-released in full length. Approximately 73
minutes.
Blonde On
Blonde stayed 30 weeks on the US charts and peaked as #9. In England it reached
#3 and stayed 10 weeks in the Top 10.
Session 1-5
recordings took place at Columbia Recording Studios, New York City, New York.
Session
6-13 recordings took place at Columbia Music Row Studios, Nashville, Tennessee.
Session # |
Date |
Released album songs |
Take |
1 |
none |
|
|
2 |
none |
|
|
3 |
none |
|
|
4 |
One Of Us Must Know
(Sooner Or Later) |
24 |
|
5 |
none |
|
|
6 |
Fourth Time Around |
20 |
|
|
|
Visions Of Johanna |
4 |
7 |
none |
|
|
8 |
Sad-Eyed Lady Of The
Lowlands |
4 |
|
9 |
Stuck Inside Of
Mobile With The Memphis Blues Again |
18 |
|
10 |
Absolutely Sweet
Marie |
4 |
|
11 |
Pledging My Time |
4 |
|
12 |
Most Likely You Go
Your Way (And I'll Go Mine) |
6 |
|
13 |
Rainy Day Women # 12
& 35 |
2 |
Song |
Session |
Single |
Official
live |
First
known live |
Rainy Day Women # 12 & 35 |
10 |
April 1966 |
Before The Flood |
Isle Of Wight 31 August 1969 |
Pledging My Time |
9 |
April 1966 |
|
San Rafael April 1987 |
Visions Of Johanna |
6 |
|
Biograph |
Pittsburgh 6 February 1966 |
One Of Us Must Know |
4 |
Early 1966 |
|
Wichita 19 May 1976 |
I Want You |
10 |
June 1966 |
At Budokan Dylan & The Dead |
San Francisco 23 March 1975 |
Stuck Inside Of Mobile |
8 |
July 1966 |
Hard Rain |
Pensacola 28 April, 1976 |
Leopard-Skin Pill-Box Hat |
10 |
|
|
Hempstead 26 February 1966 |
Just Like A Woman |
9 |
August 1966 |
Before The Flood At Budokan Bangla Desh Hard To Handle |
Melbourne 19 or 20 April 1966 |
Most Likely You Go Your Way |
10 |
1967 |
Before The Flood |
Chicago 3 January 1974 |
Temporary Like Achilles |
10 |
|
|
— |
Absolutely Sweet Marie |
9 |
|
|
Concord 7 June 1988 |
Fourth Time Around |
6 |
|
|
Hempstead 26 February 1966 |
Obviously Five Believers |
10 |
August 1966 |
|
Palm Desert 15 May, 1995 |
Sad-Eyed Lady Of The Lowlands |
7 |
|
|
— |
Biograph - Royal Albert Hall, London, May 26, 1966
Bangla Desh - The benefit concert in Madison Square Garden, 1971.
Before The
Flood - Tour with The Band, 1974.
Hard Rain -
2nd Rolling Thunder Revue, 1976.
At Budokan - Far East Leg of World Tour, 1978.
Hard To
Handle - With Tom Petty And The Heartbreakers in Sydney, Febr.
1986.
Dylan &
The Dead - Mini Tour with The Grateful Dead, July 1987.
[TOP]
Eat The Document was filmed in Europe April-May 1966 as a sequel to
Don't Look Back. It as directed and filmed by D.A. Pennebaker and edited by Bob Dylan and Howard Alk two years later in the summer of 1968. Eat The Document
premiered at the New York Academy Of Music, February 8, 1971. Eat The Document
documents Dylan's tour of Europe back-stage, on stage and off stage. It is
filmed in colour and runs approximately 52 minutes. It is yet not available as
commercial home video.
Content:
Tell Me, Momma |
|
Baby, Let
Me Follow You Down |
KB-Hallen, Copenhagen, Denmark, 1 May |
Just Like
Tom Thumb's Blues |
KB-Hallen, Copenhagen, Denmark, 1 May |
One Too
Many Mornings |
KB-Hallen, Copenhagen, Denmark, 1 May |
Ballad Of
A Thin Man |
KB-Hallen, Copenhagen, Denmark, 1 May |
Like A
Rolling Stone |
KB-Hallen, Copenhagen, Denmark, 1 May |
I Still
Miss Someone |
backstage
Capitol Theatre, Cardiff, May 11 |
Just Like
Tom Thumb's Blues |
|
One Too
Many Mornings |
soundcheck, Free Trade Hall, Manchester, May 17 |
What Kind
Of Friend Is This |
hotel room, Glasgow, Scotland, 18 May |
When Will
I Be Loved |
hotel
room, Glasgow, Scotland, 18 May |
What Kind
Of Friend Is This |
hotel
room, Glasgow, Scotland, 18 May |
I Can't
Leave Her Behind |
hotel
room, Glasgow, Scotland, 18 May |
Ballad Of
A Thin Man |
Glasgow, Scotland, 18 May |
I Don't
Believe You |
ABC Theatre, Edinburgh, May 20 |
[TOP]
January |
One Of Us
Must Know (Sooner Or Later) |
|
She's
Your Lover Now [1,2] |
February |
Fourth
Time Around |
|
Leopard-Skin
Pill-Box Hat |
|
Sad-Eyed
Lady Of The Lowlands |
|
Stuck
Inside Of Mobile With The Memphis Blues Again |
|
Tell Me,
Momma [2] |
|
Visions
Of Johanna |
March |
Absolutely
Sweet Marie |
|
I Want
You |
|
Just Like
A Woman |
|
Most
Likely You Go Your Way (And I'll Go Mine) |
|
Obviously
Five Believers |
|
Pledging
My Time |
|
Rainy Day
Women # 12 & 35 |
|
Most
Probably van Gogh [5] |
|
Don't
Tell Him, Tell Me [5] |
May |
I Can't
Leave Her Behind [3] |
|
On A
Rainy Afternoon [3] |
|
What Kind
Of Friend Is This [3,4] |
Notes
[1]
Two
takes exist, one with The Hawks in December 1965 and the solo version from
January 1966.
[2]
Covered
by The Original Marauders on their album "Now Your Mouth Cries Wolf"
- Pied Piper 1977.
[3]
Only
version is in Eat The Document, not copyrighted until 1978.
[4]
May
be an arrangement only, not an original song.
[5]
This
song has not been copyrighted. It was performed in a hotel room in Denver,
Colorado, 12–13 March 1966 together with Robbie Robertson and taped by Robert
Shelton.
[TOP]
Tim Dunn |
I Just Write 'Em As
They Come. An Annotated Guide to the Writings of Bob Dylan. A Not-A-Ces
Publishing Venture 1990 |
Glen Dundas |
Tangled Up In Tapes
— 4th Edition A Recording History of Bob Dylan SMA
Services, Thunder Bay, Ontario, Canada 1999. Softcover 334 pages. |
John Baldwin
|
The fiddler now upspoke, Volumes 1–5 A collection of Bob Dylan interviews and
press conferences. Desolation
Row Promotions, 1995. |
Clinton Heylin |
A Life In Stolen
Moments. Bob Dylan Day By Day 1941-1995. Schirmer
Books 1996, 404 pages. |
Clinton Heylin |
Bob Dylan, The Recording Sessions
1960-1994
St.
Martin's Press, 1995, 233 pages. |
Michael Krogsgaard |
Positively Bob Dylan
A Thirty-Year Discography, Concert &
Record Session Guide 1960-1991. Popular
Culture, Ink. 1991. 500 pages |
Michael Krogsgaard |
Bob Dylan: The Recording Sessions
(Part 1).
|
Michael Gray |
Song & Dance Man
III. The Art Of Bob Dylan Cassell
1999. Hardback 918 pages (!!) |
Clinton Heylin |
Behind The Shades. A
Biography. Summit
Books 1991, 500 pages. |
Anthony Scaduto |
Bob Dylan. An intimate biography. New American Library 1973 |
Robert Shelton |
No Direction Home. The Life and Music of Bob Dylan. New American Library 1986. |
John Bauldie
|
The Ghost Of
Electricity. Bob Dylan's 1966 World Tour. |
Lars Hols |
Bob Dylan In Sweden.
Privately
published booklet. 116 pages. |
C. P. Lee |
Like The Night Helter Skelter Publishing 1998. Soft cover, 190 pages. |
Alex Russell |
Flagging Down The
"Double E"- (Dylan, with allusions) Richie
Roberts, New York, 1983. |
John Way |
Hungry As A Raccoon
(Bob Dylan Talks to his Fans and other Strangers) 1993 Transcripts
of the WBAI radio phone-ins, with notes exploring and analysing some of
Dylan's responses. |
Carl Benson (ed)
|
The Bob Dylan
Companion — Four Decades of Commentary. Schirmer
Books, New York 1998. Softcover 306 pages. |
Craig McGregor (ed) |
Bob Dylan. A
Retrospective. William
Morrow 1972 |
Elizabeth M. Thomson
(ed) |
Conclusions On The
Wall. New Essays On Bob Dylan. Thin Man
1980 |
Paul Williams |
Watching The River
Flow Observations on Bob Dylan's Art-in-Progress, 1966-1995. Omnibus
Press 1996, 255 pages. |
[TOP]
Blonde On Blonde – review by Stephen Pickering in A
Commemoration
Blonde On Blonde – The
Record That Can’t Be Set Straight – by Roger Ford in The Bridge No. 2 (Winter 1998)
and No. 3 (Spring 1999).
Copenhagen Press
Conference May 1966
in Occasionally #2
Eat The Document – article in Endless Road #5
Eat The Document: A
Second Helping –
article in Endless Road #6
Eat The Document:
Another Piece In The Jigsaw – by Graham Ashton in Endless Road #7
Eye To Eye – A Conversation With D.A. Pennebaker – in
The Telegraph #26
Freeze-Out, Visions Of
Johanna And The Nightingale's Code – by Clinton Heylin in The Telegraph #16
God Bless America – by Paul Williams in his book
Outlaw Blues
London Press
Conference May 1966
– in Occasionally #2
Lovers Emotions: An
Analysis of Visions Of Johanna – in Talkin' Bob Zimmerman Blues #4
Paris Press
Conference, 1966 –
in Positively Tie Dream
Stockholm Press
Conference 1966 –
in Endless Road #2
Tarantula – a
perspective – by
Elia Katz in Praxis: One
Tarantula: A Question Of Interpreting – by Stephen Pickering in A
Commemoration
Temporary Like
Achilles – by Nick
de Somogyi in The Telegraph #27
The 1966 Line
Recordings – by
Clinton Heylin in The Telegraph #25
The D.A. Pennebaker Interview – in The Telegraph #16
The Original 1966
Playboy Interview –
in Whaaaat?
Understanding Dylan – by Paul Williams in his book
Outlaw Blues
Unreleased Tarantula –
Released! – by
Stephen Pickering in Talkin' Bob Zimmerman Blues #5
Visions Of Johanna – by Nigel Hinton in The Telegraph
#9
Visions Of Johanna:
Dylan's Romantic Dilemma – by Louis Morgan in A Commemoration
[TOP]