A DOLLAR IS A DOLLAR – Bob Dylan
1984
5 The
1984 Tour of Europe with Santana
5.6.7 Songs with Carlos
Santana
5
The 1984 Tour of
|
Number of shows |
27 |
|
Number of circulating shows |
27 |
|
Number of circulating & complete shows |
27 |
|
Number of unique shows[1] |
27 |
|
Number of different shows[2] |
27 |
|
Number of different songs[3] |
45 |
|
Number of unique songs[4] |
43 |
|
Number of performed songs |
604 |
|
Mean number of performed songs |
22 |
|
Variation[5] |
2.0 |
|
|
# of |
|
# of |
|
|
|
songs |
% |
perf. |
% |
|
Electric |
32 |
71.1 |
463 |
76.7 |
|
Acoustic solo |
13 |
28.9 |
141 |
23.3 |
|
|
|
|
|
|
|
Albums |
42 |
93.0 |
586 |
97.0 |
|
Singles |
0 |
0.0 |
0 |
0.0 |
|
Outtakes |
1 |
2.3 |
9 |
1.5 |
|
Covers |
2 |
4.7 |
9 |
1.5 |
|
|
# of |
|
# of |
|
|
Album |
songs |
% |
perf |
% |
|
Bob Dylan |
0 |
0.0% |
0 |
0.0% |
|
Freewheelin' |
5 |
12.5% |
93 |
15.9% |
|
The Times They Are A-Changin' |
3 |
7.5% |
23 |
3.9% |
|
Another Side |
2 |
5.0% |
26 |
4.4% |
|
Bringing It All Back Home |
5 |
12.5% |
89 |
15.2% |
|
Highway 61 Revisited |
7 |
17.5% |
108 |
18.4% |
|
Blonde On Blonde |
2 |
5.0% |
40 |
6.8% |
|
Basement Tapes |
0 |
0.0% |
0 |
0.0% |
|
John Wesley Harding |
1 |
2.5% |
28 |
4.8% |
|
|
1 |
2.5% |
1 |
0.2% |
|
Selfportrait |
0 |
0.0% |
0 |
0.0% |
|
New Morning |
0 |
0.0% |
0 |
0.0% |
|
Greatest Hits Vol. 2 |
1 |
2.5% |
3 |
0.5% |
|
Pat Garrett |
1 |
2.5% |
7 |
1.2% |
|
Planet Waves |
1 |
2.5% |
2 |
0.3% |
|
Blood On The Tracks |
3 |
7.5% |
39 |
6.7% |
|
Desire |
0 |
0.0% |
0 |
0.0% |
|
Street-Legal |
1 |
2.5% |
3 |
0.5% |
|
Slow Train Coming |
1 |
2.5% |
10 |
1.7% |
|
Saved |
0 |
0.0% |
0 |
0.0% |
|
Shot Of Love |
2 |
5.0% |
28 |
4.8% |
|
Infidels |
4 |
10.0% |
86 |
14.7% |
[TOP]
Barcelona 28 June–
one of the best Dylan concerts ever!!
Note that with the exception of Why Do I Have To Choose, there were no covers played during this tour!
The new song Enough Is Enough was played nine times with different lyrics each time!
Señor (Tales Of Yankee Power) was first played in
One-offs included Desolation Row, It Takes A Lot To Laugh, It Takes A Train To Cry, Just Like Tom Thumb's Blues, Lay Lady Lay and With God On Our Side.
|
Jokerman |
27 times |
|
Sweetheart Like
You |
never played live! |
|
Neighborhood
Bully |
never played live! |
|
License To Kill |
27 |
|
Man Of Peace |
5 |
|
Union Sundown |
first played 1986 w Petty/Heartbreakers |
|
I And I |
27 |
|
Don't fall Apart
On Me Tonight |
never played live! |
|
|
|
|
May |
|
|
|
|
|
|
June |
|
|
|
|
|
||||
|
|
|
28 |
29 |
31 |
2 |
3 |
4 |
6 |
7 |
9 |
10 |
11 |
13 |
14 |
16 |
||||
|
Blowin' In The Wind |
AC |
21 |
18 |
|
|
|
|
|
|
20 |
19 |
|
21 |
21 |
21 |
||||
|
|
|
22 |
19 |
19 |
19 |
21 |
|
|
20 |
21 |
20 |
20 |
20 |
20 |
20 |
||||
|
Blowin' In The Wind |
JB |
|
|
18 |
21 |
19 |
|
21 |
|
|
|
|
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|
||||
|
Why Do I Have To
Choose? |
|
|
|
|
20 |
22 |
|
|
21 |
|
21 |
21 |
|
|
23 |
||||
|
I Shall Be
Released |
JB |
|
|
|
|
20 |
|
|
|
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|
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|
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||||
|
Forever Young |
|
|
|
|
|
23 |
|
|
|
|
|
|
|
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|
||||
|
Love Minus
Zero/No Limit |
|
|
|
|
|
|
|
|
|
22 |
22 |
|
|
|
|
||||
|
The Times They
Are A-Changin' |
|
|
|
|
|
|
|
|
|
23 |
23 |
22 |
|
|
|
||||
|
All Along The
Watchtower |
SA |
|
|
|
|
|
|
|
|
|
|
23 |
|
|
|
||||
|
Heart Of Mine |
|
|
|
|
|
|
|
|
|
|
|
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|
19 |
|
||||
|
Leopard-Skin Pill-Box
Hat |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
||||
|
Just Like Tom
Thumb's Blues |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
||||
|
|
|
|
|
|
|
June |
|
|
|
|
|
July |
|
|
|||
|
|
|
17 |
19 |
20 |
21 |
24 |
26 |
28 |
30 |
1 |
3 |
5 |
7 |
8 |
|||
|
The Times They
Are A-Changin' |
|
18 |
19 |
19 |
19 |
24 |
|
23 |
19 |
19 |
19 |
24 |
24 |
26 |
|||
|
Blowin' In The Wind |
AC |
|
22 |
22 |
23 |
23 |
22 |
25 |
22 |
23 |
|
22 |
25 |
27 |
|||
|
Leopard-Skin
Pill-Box Hat |
|
19 |
|
20 |
20 |
21 |
20 |
|
21 |
21 |
21 |
20 |
20 |
24 |
|||
|
Why Do I Have To Choose? |
|
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|||
|
I Shall Be
Released |
JB |
|
20 |
|
22 |
|
|
|
|
|
|
|
|
|
|||
|
|
|
|
21 |
21 |
21 |
20 |
21 |
24 |
23 |
22 |
|
21 |
22 |
25 |
|||
|
Knockin' On Heaven's
Door |
|
|
|
|
|
19 |
19 |
21 |
|
24 |
20 |
23 |
26 |
|
|||
|
Senor (Tales Of
Yankee Power) |
|
|
|
|
|
|
|
22 |
|
|
22 |
|
23 |
|
|||
|
It Takes A |
|
|
|
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|
20 |
|
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It's All Over
Now, Baby Blue |
|
|
|
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|
20 |
|
|
21 |
22 |
|||
|
Simple Twist Of
Fate |
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|
21 |
|||
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|
VM |
|
|
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|
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|
23 |
|||
JB = Joan Baez
SA = Santana percussionists
VM = Van Morrison
AC = acoustic
[TOP]
|
Alphonso Johnson replaces Gregg Sutton on songs 19-24. |
|
|
Old time friend
Hughes Aufray plays guitar and sings with
Dylan on The Times They Are A-Changin' |
|
|
|
Van Morrison guitar and shared vocal on It's All Over Now, Baby Blue |
|
Hughes Aufrey plays guitar and sings with Dylan on The Times They Are A-Changin' |
|
|
Eric Clapton joins, starting with Leopard-Skin Pill-Box Hat |
|
|
|
Chrissie Hynde from The Pretenders sneaks on stage and tries to sing backup
vocal on 20-21, 24-26 and plays harmonica on 20. |
|
|
Van Morrison
guitar and shared vocal on It's All
Over Now, Baby Blue |
|
Van Morrison
guitar and shared vocal on It's All
Over Now, Baby Blue and Tupelo
Honey |
|
|
|
Bono Vox and Leslie Dowdall shared vocal on Leopard-Skin Pill-Box Hat and Blowin' In The Wind |
|
|
Steve Wickham violin on Leopard-Skin Pill-Box Hat |
|
May |
Angel Of Rain |
1,2 |
|
|
Dirty Lies |
1,3 |
|
|
Enough Is
Enough |
1,4 |
|
July |
Driftin' Too Far From Shore |
|
|
|
Firebird |
5 |
|
|
Go Away Little
Boy |
6 |
|
|
Groovin' At Delta |
5 |
|
|
Who Loves You
More |
|
|
|
Wolf |
5 |
|
December |
Gravity Song |
8 |
|
|
Look
Yonder |
8 |
|
|
New |
7 |
|
|
Prince Of
Plunder |
8 |
|
|
Queen Of Rock
'n' Roll |
8 |
|
|
Seeing
The Real You At Last |
|
|
|
Something's
Burning Baby |
|
Notes
1.
Mentioned in the set list
handed out at the
2. No known recording.
3.
Only known version at the
4. Rehearsal versions and live versions exist.
5. Only instrumental versions known.
6.
Released by Lone Justice.
7.
Re-recorded with re-worked lyrics as
8.
No circulating recording.
[TOP]
Everybody's Going Up The Castle Stairs – Patrick J. Webster in The
Telegraph #17
License To Thrill? – The Telegraph #17
Antoine de Caunes Interview – Talkin' Bob Dylan 1984
Bono Vox Interview – Talkin'
Bob Dylan 1984
Charlie Quintana – The Telegraph 37 (Winter 1990)
Colin Allen – interviewed by
Hughes Aufray – The Telegraph 39 (Summer 1991)
Mark Knopfler – The Telegraph #16
Westwood One - Dylan on Dylan – interview in Talkin'
Bob Dylan 1984 & 1985
Barbara and Angela Dierks: It Ain’t Me Babe.
Impressions of the European tour ’84.
Tangled Up
In Blue – lyrics, new version 1984, The Telegraph #21
|
William J. Clinton |
The Bob Dylan CD & CDR Field Recordings Guide Of William J.
Clinton |
|
Tim Dunn |
I Just Write ' |
|
Glen Dundas |
Tangled Up In Tapes — 4th Edition A Recording History of Bob Dylan SMA
Services, |
|
|
A Life In Stolen Moments. Bob Dylan Day By Day 1941-1995. Schirmer Books 1996, 404 pages. |
|
|
Bob Dylan, The Recording Sessions 1960-1994 |
|
Michael Krogsgaard |
Positively Bob Dylan |
|
Michael Krogsgaard |
Bob Dylan: The Recording Sessions (Part 3). |
|
Craig Pinkerton |
Bob's Boots |
|
Ray Stavrou |
A Vinyl Headstone Almost In Place |
|
John Baldwin |
The fiddler now upspoke, Volumes 1–5. A collection of Bob Dylan interviews and press conferences. Desolation Row Promotions, 1995. |
|
Carl Benson (ed) |
The Bob Dylan Companion —
Four Decades of Commentary. Schirmer Books, |
|
Michael Gray |
Song & Dance Man III.
The Art Of Bob Dylan Cassell 1999. Hardback 918 pages. |
|
|
Behind The Shades. A
Biography. Summit Books 1991, 500 pages. |
|
Daniel Kramer |
Bob Dylan. Citadel Press
(hardback) or Pocket Books. Great photo book from 1964-1965. |
|
Craig McGregor (ed) |
Bob Dylan. A Retrospective. William Morrow 1972 |
|
Anthony Scaduto
|
Bob Dylan. An intimate
biography. New American Library 1973 |
|
Robert Shelton |
No Direction Home. The Life and
Music of Bob Dylan. New American Library 1986. |
|
Howard Sounes |
Down The Highway. The Life Of
Bob Dylan. Groove Press 2001. |
|
Elizabeth M. Thomson (ed) |
Conclusions On The Wall. New Essays On
Bob Dylan. Thin Man 1980 |
|
Paul Williams |
Watching The River Flow Observations on Bob Dylan's Art-in-Progress, 1966-1995. Omnibus Press 1996, 255 pages. |
|
Paul Williams |
Performing Artist – The
Middle Years: 1974-1986 |
[TOP]
[1] a show is unique if no other show
has the same songs in the same order
[2] a show is different from another
show if the set of songs are different, regardless of order.
[3] electric and acoustic versions are
counted as different songs.
[4] a song is counted as unique
regardless of how it is performed.
[5] variation is computed as the ratio
between number of different songs and mean number of performed songs.