2009
JANUARY
7 |
Theme Time Radio
Hour, Episode 86: Work |
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14 |
Theme Time Radio
Hour, Episode 87: Nothing |
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21 |
Theme Time Radio
Hour, Episode 88: Something |
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28 |
Theme Time Radio
Hour, Episode 89: Cats |
FEBRUARY
4 |
Theme Time Radio
Hour, Episode 90: Madness |
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11 |
Theme Time Radio
Hour, Episode 91: Happiness |
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18 |
Theme Time Radio
Hour, Episode 92: Cops and Robbers |
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18 |
Theme Time Radio
Hour, Episode 93: Sugar and Candy |
MARCH
4 |
Theme Time Radio
Hour, Episode 94: Questions |
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11 |
Theme Time Radio
Hour, Episode 95: Truth and Lies |
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18 |
Theme Time Radio
Hour, Episode 96: Family Circle |
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22 |
Berns Salonger |
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23 |
Globen Arena |
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25 |
Theme Time Radio
Hour, Episode 97: Noah's Ark: Part 1 |
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25 |
Spektrum |
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27 |
Kinnarps Arena |
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28 |
Malmö Arena |
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29 |
Forum |
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31 |
AWD Arena |
APRIL
1 |
Theme Time Radio
Hour, Episode 98: Noah's Ark: Part 2 |
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1 |
Max Schmeling Halle |
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2 |
Messehalle |
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4 |
Zenith |
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5 |
Saarlandhalle |
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7 |
Palais des Congrès de Paris |
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8 |
Theme Time Radio
Hour, Episode 99: Clearance Sale |
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8 |
Palais des Congrès de Paris |
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10 |
Heineken Music Hall |
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11 |
Heineken Music Hall |
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12 |
Heineken Music Hall |
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14 |
St. Jacobshalle |
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15 |
Theme Time Radio
Hour, Episode 100: Goodbye Theme Time Radio
Hour, Episode 101: Kiss |
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15 |
Forum di Assago |
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17 |
PalaLottomatica |
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18 |
Nelson Mandela Forum |
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20 |
Geneva Arena |
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21 |
Zénith |
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22 |
Vorst Nationaal |
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24 |
Sheffield Arena |
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25 |
O2 Arena |
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26 |
Roundhouse |
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28 |
Cardiff International Arena |
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29 |
National Indoor Arena |
MAY
1 |
Echo Arena |
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2 |
Hall 4, SECC |
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3 |
Edinburgh Playhouse |
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5 |
The O2 |
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6 |
The O2 |
Previous |
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Next |
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Back
to |
[TOP]
[TOP]
Studio B |
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The |
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7 January 2009 |
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Theme Time Radio Hour, Episode 86: Work |
1963 |
The Burnadettes |
First, You've Got to Recognize
God |
1947 |
T-Bone Walker |
Call It Stormy Monday (But
Tuesday Is Just As Bad) |
1969 |
Merle Haggard |
Workin' Man Blues |
1960 |
Jimmy Reed |
Big Boss Man |
1950 |
Sarah Vaughan (with Miles Davis) |
Nice Work If You Can Get It |
1970 |
Jesse Winchester |
Payday |
1967 |
Lee Dorsey |
Gotta Find a Job |
1926 |
Six Jumping Jacks (Harry Reser & His Orchestra with Tom Stacks) |
The Coat And The Pants Do All
The Work (and The Vest Gets All The
Gravy) |
1965 |
Billy Butler & The Enchanters |
I Can't Work No Longer |
1950 |
Ray Charles |
I'll Do Anything But Work |
1971 |
Dan Hicks & His Hot Licks |
Payday Blues |
|
Honey Cone |
Want Ads |
1937 |
Adriana Caselotti |
Whistle While You Work |
1965 |
Detroit Junior |
Call My Job |
1976 |
Tom Waits |
I Can't Wait To Get Off Work
(and See My Baby on Montgomery Avenue) |
1969 |
Marva Whitney & The J.B.'s |
You Got to Have a Job (If You
Don't Work, You Can't Eat) |
Selected BobTalk
This week we're talking about work. We're talkin' about golden
parachutes, poison pills, golden handshakes. We're talking about workin' like a
dog, work around the clock, workin' 9 to 5; talking about all the workin'
stiffs who're workin' for a livin', who live to work, labor intensive, doin'
odd jobs, married to their job, them employee of the month hard at work.
You can't say enough about Merle Haggard.
I had a boss so mean once, his time clock punched me.
I'm gonna get outta here and see if I can beat the traffic. You know
what it's like when everybody gets off work.
Notes.
The session location is fictional.
The actual recording location and date for Bob Dylan’s contribution are not
known.
The session date here is the
original broadcast date.
Stereo radio recording, 60 minutes.
Previous episode: Numbers Eleven
and Up
Next episode: Nothing
Session info updated 27 March 2011.
[TOP]
Studio B |
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The |
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14 January 2009 |
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Theme Time Radio Hour, Episode 87: Nothing |
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“It's night time in the Big City. A wealthy man terrorizes a waitress The dogs can smell rain.” |
1965 |
The Fugs |
Nothing |
1963 |
The Cookies |
Don't Say Nothin' Bad (About My
Baby) |
1963 |
Sammy Davis Jr. |
There Is Nothing Like a Dame |
1959 |
Brenda Lee |
Sweet Nothin's |
1957 |
Frank Sinatra |
I Got Plenty O' Nuttin' |
1967 |
Harry Johnson (Sanford Clark) |
It's Nothing To Me |
2002 |
Peter Wolf (with Mick Jagger) |
Nothing But The Wheel |
1949 |
Marlene Dietrich |
No Love, No Nothin' |
1967 |
Toussaint McCall |
Nothing Takes The Place Of You |
1962 |
Mose Allison |
I Ain't Got Nothin' But The
Blues |
1956 |
Mac Curtis |
That Ain't Nothin' But Right |
1963 |
Rockin' Sidney |
You Ain't Nothing But Fine |
1996 |
Townes Van Zandt |
Nothing |
1970 |
The Velvet Underground |
Oh! Sweet Nuthin' |
Selected BobTalk
We’re gonna be talking about next to nothing, for nothing, nothing doing
and all or nothing. We’re gonna be talking about nothing to write home about and
nothing to shout about. Nothing to sneeze at, good-for-nothings, and nothing
going for ya. Much ado about nothing, next to nothing, thinking nothing of it,
and having nothing to do with ya.
Always enjoy a song with a story attached. It’s like getting a two for
one, and he makes a good point. Mind your own business! You don’t have to get
involved; you don’t know that whole story. Before you go jumping in, take a
moment. Look at the situation. Ask yourself: Will I really be making this
better? I guarantee ya, 9 times outta 10, the answer is nooooo. (about It’s Nothing To Me)
Boy, what can you say about that? Just fabulous. (about No Love, No Nothin’)
With a song this good, you only need one (about Nothing Takes the Place of You)
Huh-ha, that sounded like me playing harmonica. Short and sweet with a
steady beat. (about You Ain’t Nothin’ But
Fine)
Notes.
The session location is fictional.
The actual recording location and date for Bob Dylan’s contribution are not
known.
The session date here is the
original broadcast date.
Stereo radio recording, 60 minutes.
Previous episode: Work
Next episode: Something
Session info updated 28 March 2011.
[TOP]
Studio B |
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The |
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21
January 2009 |
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Theme Time Radio Hour, Episode 88: Something |
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“It's night time in the Big City. A man falls asleep far from home There’s a strange car parked outside.” |
1969 |
The Beatles |
Something |
1964 |
Earl-Jean McCrea |
I'm Into Something Good |
1964 |
Vic Damone |
Something's Coming! |
1950 |
Billy Ward and His Dominoes (with Clyde McPhatter) |
Do Something For Me |
1952 |
Jimmy Ballard |
She's Got Something |
|
Steve Allen |
This Could Be The Start
Of Something Big |
1964 |
The Velvelettes |
He Was Really Sayin'
Somethin' |
1959 |
Eddie Cochran |
Somethin' Else |
1954 |
Daddy Cleanhead |
Something's Goin' On In
My Room |
1966 |
Charlie Rich |
When Something Is Wrong
With My Baby |
1953 |
June Christy (with Pete Rugolo) |
Something Cool |
1960 |
Bobby Marchan |
There's Something On
Your Mind Part 2 |
1953 |
The Carlisles (with Jumpin' Bill Carlisle) |
Something Different |
1969 |
Thunderclap Newman |
Something In The Air |
Selected BobTalk
I
think we all know there’s only one way to begin.
Ya
know when I heard Herman’s Hermits sing it I thought it was just about having a
piece of cake, or ridin’ on a Ferris wheel. But when I hear Earl-Jean sing it,
I know exACTly what she’s talkin’ about!
Ya
know, nobody sings like that anymore. He makes it sound effortless, no matter
how difficult it really is. I like the elegance of a guy like Clyde McPhatter;
it’s like watching Fred Astaire.
You
can just tell he’s one of those guys raised on Western swing, looking forward to
rockabilly. I sure would like to know more about him; if ya know anything, give
us a call here at the station. (about Jimmy Ballard)
You
know, sometimes I get jealous of you people listening. Some of you are hearing
these songs for the first time, and that must be exciting. I remember what it
was like when I first heard ‘em, and I tell ya even after all these years it’s
still an amazing record – but that first rush of hearin’ it…wow! (about Somethin’ Else)
Here’s
The Silver Fox, back when he still had a little bit of black in his hair.
(about Charlie Rich)
A
beautiful song of quiet despair…a lot of times the arranger gets ignored, but
on a record like this you can’t imagine it without his touch. (about Something Cool)
Next
up, part two of a two part record. Side one is kind of a straight read. Part
two – it’s wild! Not surprisingly, the guy performing it is wild too. (There’s Something on Your Mind Pt. 2)
Notes.
The session location is fictional.
The actual recording location and date for Bob Dylan’s contribution are not
known.
The session date here is the
original broadcast date.
Stereo
radio recording, 60 minutes.
Previous
episode: Nothing
Next
episode: Cats
Session
info updated 28 March 2011.
[TOP]
Malibu Performing Arts Center |
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Los Angeles, California |
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January 2009 |
1. |
Do Re Mi (Woody Guthrie) |
2. |
Vigilante Man (Woody Guthrie |
Bob Dylan (vocal & acoustic guitar), Ry Cooder
(electric guitar), Van Dyke Parks (piano).
Official releases
1 released on the
soundtrack CD The People Speak, Verve B002UK6DTA, 8 December 2009.
1 released on the DVD
The People Speak, 9 February 2010.
Notes.
1
broadcast by US TV History Channel in the film The People Speak, 13 December 2009.
2
is not in general circulation.
1 stereo studio
recording, 3 minutes.
Session info
updated 13 April 2011.
[TOP]
Studio B |
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The |
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28 January 2009 |
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Theme Time Radio Hour, Episode 89: Cats |
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“It's night time in the Big City. A man makes a promise he'll never keep. Spring just won't come.” |
1959 |
The Coasters |
Three Cool Cats |
1936 |
Cliff Carlisle |
Tom Cat Blues |
1959 |
Little Willie John |
Leave My Kitten Alone |
1964 |
Buck Owens and His Buckaroos |
I've Got a Tiger By the Tail |
1970 |
The Mighty Sparrow |
Sell The Puss-y |
1941 |
Ocie Stockard & His Wanderers |
Put A Nickel In The Kitty |
1934 |
Tampa Red & Georgia Tom |
Dead Cats On The Line |
1961 |
The Tokens |
The Lion Sleeps Tonight |
1929 |
Walter "Kid" Smith and Norman Woodlief |
The Cat's Got The Measles, The
Dog's Got The Whooping Cough |
1950 |
Emmy Oro |
A Fish House Function (For A
Cross Eyed Cat Named Sam) |
1961 |
Hop Wilson & His Buddies |
My Woman Has A Black Cat Bone |
1968 |
The Rolling Stones |
Stray Cat Blues |
1961 |
Joseph Barbera (Hanna
Barbera Cartoons) |
The Theme From Top Cat |
Selected BobTalk
Tigers have more than 100 stripes and no 2 have identical stripes,
unless they're wearing the same pajamas.
A song that raises more questions than it answers... First time I heard
it was on a hot summer day. I thought I was hallucinating (about A Fish House Function (For A Cross Eyed Cat
Named Sam))
Notes.
The session location is fictional.
The actual recording location and date for Bob Dylan’s contribution are not
known.
The session date here is the
original broadcast date.
Stereo radio recording, 60 minutes.
Previous episode: Something
Next episode: Madness
Session info updated 4 April 2011.
[TOP]
Studio B |
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The |
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4 February 2009 |
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Theme Time Radio Hour, Episode 90: Madness |
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“It's night time in the Big City. The worst has already happened. A well-dressed couple lean on the balcony; they laugh as they sip
martinis.” |
1961 |
Patsy Cline |
Crazy |
1935 |
Jimmie Lunceford and His Orchestra |
I’m
Nuts About Screwy Music |
1959 |
Eddie Cochran |
Nervous
Breakdown |
1960 |
James Brown and The Famous Flames |
I’ll
Go Crazy |
1947 |
Charlie Parker and Dizzy Gillespie |
Relaxin’
at Camarillo |
1962 |
Prince Buster |
Madness |
1967 |
The Jimi Hendrix Experience |
Manic
Depression |
1967 |
Peggy Lee |
You’re
Driving Me Crazy |
1959 |
Bo Diddley |
Crackin’
Up |
1967 |
Johnny Paycheck |
(Like
Me) You’ll Recover in Time |
1952 |
Annie Ross |
Twisted |
1956 |
The Tibbs Brothers |
I’m
Going Crazy |
1958 |
The Mighty Sparrow |
The
Mad Bomber |
1958 |
Little Walter |
Crazy
Mixed Up World |
1952 |
Dinah Washington |
Blow
Top Blues |
1966 |
Napoleon XIV |
They’re
Coming to Take Me Away Ha-Haaa! |
1972 |
Porter Wagoner |
The
Rubber Room |
1947 |
Beatrice Kay w/ Mitchell Ayres & His Orchestra |
Hooray,
Hooray, I’m Goin’ Away |
1957 |
Redd Foxx |
It’s Fun
to Be Livin’ in the Crazy House |
1957 |
Mose Allison |
Lost
Mind |
1974 |
Jack Kittel |
Psycho |
1993 |
Nirvana |
Frances
Farmer Will Have Her Revenge on Seattle |
Selected BobTalk
I can’t imagine Jimi Hendrix writing a song called ‘Bipolar Disorder.’
A lot of people are unfamiliar with the way that Annie and other vocal
lead singers would take jazz solos and put words to them; well this is one of
the most famous ones.
Walter basically reinvented the harmonica. When he was growing up, he
was obsessed with the Louis Jordan records, and would practice playing Louis’
saxophone solos on his harmonica.
The Thin Man from West Plains (about Porter Wagoner)
Here’s a wild record with a surprising person at the helm. (about It’s Fun To Be Living In The Crazy House)
Here’s a man that some call the William Faulkner of jazz. Now I’ve got
to tell you, I’ve heard this guy play since the 60s, and I’ve never heard
anybody call him the William Faulkner of jazz. But there it is in a book. I
mean, somebody just wrote that; I can’t imagine anyone calling him the William
Faulkner of jazz! I mean that would be like calling Garnet Mimms the Gabriel
Garcia Marquez of soul music. It’s just not done. I’m getting excited over
nothin’, let me just play the record. By the way, I consider William Faulkner
to be the Mose Allison of literature. Here they are, together again, Mose
Allison and William Faulkner, singing the Percy Mayfield song ‘Lost Mind.’
The third in our trilogy of demented country songs (about Psycho)
Few things go together as well as country & western music and crazy
people.
Notes.
The session location is fictional.
The actual recording location and date for Bob Dylan’s contribution are not
known.
The session date here is the
original broadcast date.
Stereo radio recording, 90 minutes.
Previous episode: Cats
Next episode: Happiness
Session info updated 4 April 2011.
[TOP]
Studio B |
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The |
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11 February 2009 |
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Theme Time Radio Hour, Episode 91: Happiness |
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“It's night time in the Big City. A cop runs a license plate. Ten will get you twenty.” |
1938 |
Hot Lips Page |
Feelin'
High and Happy |
1972 |
Al Green |
Love
and Happiness |
1953 |
Jimmy Heap and The Melody Masters |
(I Wanna
Go Where You Go) Then I'll Be Happy |
1955 |
Elmore James |
Happy
Home |
1972 |
The Rolling Stones |
Happy |
1937 |
Ella Fitzgerald with Chick Webb & His
Orchestra |
I
Want To Be Happy |
2006 |
Jenny Lewis with The Watson Twins |
Happy |
1967 |
Brenda Holloway |
You've
Made Me So Very Happy |
1935 |
The Sons of the Pioneers |
Happy
Rovin' Cowboy |
1979 |
Buzzcocks |
Everybody's
Happy Nowadays |
1963 |
Judy Garland |
Smile |
1950 |
Roy Rogers & Dale Evans with Frank Worth
& His Orchestra |
Happy
Trails |
Selected BobTalk
Welcome everybody to Theme Time Radio Hour. It's good to see so many
familiar faces... Yes indeed-ee-doo, I could not be happier to be with you
today.
It just goes to show ya, ya leave people alone in a studio and you don't
really need anyone else. Look what Keith did there! Of course, he'd been up for
about four days when he came up with it. But you have to suffer for your art.
Notes.
The session location is fictional.
The actual recording location and date for Bob Dylan’s contribution are not
known.
The session date here is the
original broadcast date.
Stereo radio recording, 60 minutes.
Previous episode: Madness
Next episode: Cops
and Robbers
Session info updated 4 April 2011.
[TOP]
Studio B |
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The |
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18 February 2009 |
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Theme Time Radio Hour, Episode 92: Cops and Robbers |
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1949 |
Nat King Cole Trio |
Call
The Police |
1966 |
Red Simpson |
The
Highway Patrol |
1930 |
Blind Willie Walker |
Dupree
Blues |
1998 |
Billy Bragg & Wilco |
Against
Th' Law |
1959 |
The Crickets |
I
Fought The Law |
1954 |
Freddie "Bama Boy" Hall and His
Gadsden Band |
This
Crooked World |
1924 |
Bascom Lamar Lunsford |
Poor
Jesse James |
1968 |
The Byrds |
Pretty
Boy Floyd |
1963 |
The Coasters |
Bad
Detective |
1974 |
Los
Socios De San Antonio |
La
Muerte De Fred Gomez Carrasco |
1967 |
The Equals |
Police
On My Back |
1950 |
Smiley Lewis |
Dirty
People |
1966 |
Merle Haggard |
I'm A
Lonesome Fugitive |
Selected BobTalk
We’re gonna be looking at officers and fuzz, bulls and coppers, private eyes,
private investigators, police and private detectives, deputies and constables,
lawmen, marshals, and meter maids, the law, and the man. But of course that’s
just one side of the law. We’re also gonna turn the Theme Time spotlight on
bandits and buccaneers, burglars and cheats, conmen and crooks, looters and
marauders, something and pickpockets, stickup men, swindlers, thieves, thugs,
gangsters, gunmen and hijackers. Bruisers and Godfathers, Mafioso and mobsters.
I’m sure we have a lot of listeners on both sides-
Nat Cole Trio – Call The Police “What made their sound so swingin’ is
that they didn’t use a drummer and the rhythmic pulse was carried by that big
bass fiddle.”
The forgotten man of the Bakersfield sound (about Red Simpson)
Using bad as a bit of braggadocio and not casting any aspersions on his
abilities. (about Bad Detective)
A man who never forgot where he came from; he’s the real deal. (about
Merle Haggard)
This is Theme Time Radio Hour, your police headquarters for illicit
themes, illegal schemes, and hijacked dreams.
Notes.
The session location is fictional.
The actual recording location and date for Bob Dylan’s contribution are not
known.
The session date here is the
original broadcast date.
Stereo radio recording, 60 minutes.
Previous episode: Happiness
Next episode: Sugar
and Candy
Session info updated 4 April 2011.
[TOP]
Studio B |
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The |
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25 February 2009 |
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Theme Time Radio Hour, Episode 93: Sugar and Candy |
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“It's night time in the Big City. The bartender wipes the counter with a damp rag That car’s been parked there all night There’s no one left to call.” |
1945 |
Joe Liggins and The Honeydrippers |
The
Honeydripper |
1965 |
Elizabeth Cotten & Brenda Evans |
Shake
Sugaree |
1970 |
The Grateful Dead |
Sugar
Magnolia |
1964 |
Millie Small |
My Boy
Lollipop |
1958 |
Lazy Lester |
Sugar
Coated Love |
1954 |
Ray Batts |
Stealin'
Sugar |
1966 |
Lara & The Trailers |
Sugar
Town |
1966 |
Joe Tex |
If
Sugar Was As Sweet As You |
1965 |
The Strangeloves |
I
Want Candy |
1928 |
Harry 'Haywire Mac' McClintock |
Big
Rock Candy Mountain |
1965 |
The Astors |
Candy |
1991 |
Elvis Costello |
So
Like Candy |
1961 |
Cleveland Crochet |
Sugar
Bee |
1964 |
Dave Van Ronk |
Candy
Man |
Selected BobTalk
This week we’re gonna indulge our sweet tooth, go into sugar shock, look
at some eye candy, meet back at the sugar shack, take some candy from a baby,
give some sweets to my sweet, get sweet and low-down, and maybe even revisit
the sweet bird of youth.
Listen to this and you think it’s a traditional song but it’s not –
Elizabeth wrote it-
I don’t know anything about Ray Batts except for this song…another
mystery man, another great record-
You play me a Nancy Sinatra record, and I’ll play you a cover of it by a
band from Singapore.
Listen the drums on this record, they’re quite good. You owe me five
bucks, Jim. (about So Like Candy)
Boy, when was the last time a record hit the charts with accordion or a
guitar like that?! Been much too long. It’s not that I like old music, it’s
just that I’m not hearing anything like that from out in left field nowadays.
(about Sugar Bee)
Here’s a guy who could talk about Trotsky as well as about the Delta
Blues. He could tell you about politics and literature, could identify all the
French symbolist poets, and play blues and ragtime on the guitar. I could talk
about Dave Van Ronk for a long time. He could totally electrify a coffee house
and you could never tell when he was drawing to an inside strength. It was a
privilege to know him; he was a singular individual, and hearing just one song
will only give you a clue.
Notes.
The session location is fictional.
The actual recording location and date for Bob Dylan’s contribution are not
known.
The session date here is the original
broadcast date.
Stereo radio recording, 60 minutes.
Previous episode: Cops
and Robbers
Next episode: Questions
Session info updated 4 April 2011.
[TOP]
Studio B |
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The |
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4 March 2009 |
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Theme Time Radio Hour, Episode 94: Questions |
1956 |
Bo Diddley |
Who
Do You Love? |
1955 |
The Robins |
Whadaya
Want? |
1975 |
Allen Toussaint |
What
Do You Want the Girl to Do? |
1961 |
The Everly Brothers |
When
Will I Be Loved? |
1953 |
Lloyd Price |
Where
You At? |
1966 |
Bill Monroe & his Bluegrass Boys |
I
Wonder Where You Are Tonight |
1955 |
Bobby Tuggle |
$64,000
Question (Do You Love Me?) |
1964 |
The Kolettes |
Who's
That Guy? |
1964 |
The Isley Brothers |
Who's
That Lady? |
1969 |
Dan Hicks & his Hot Licks |
How
Can I Miss You When You Won't Go Away |
1971 |
Marvin Gaye |
What's
Going On? |
1956 |
Eddie Lawrence |
The
Old Philosopher |
1946 |
Billie Holiday |
What
Is This Thing Called Love? |
1974 |
Brinsley Schwarz |
(What's
So Funny 'Bout) Peace, Love and Understanding? |
Selected BobTalk
Welcome to Theme Time Radio Hour. Are You havin’ a good time? Are you
enjoying yourself? Are you comfortable. If it seems like I’m asking a lot of
questions, then you better get used to it, cause that’s all I’ll you’re gonna
be hearing for the next hour, we’ll be asking the tough questions. We’ll be
raising some interrogatives. We’ll let you fill in the answers.
Notes.
The session location is fictional.
The actual recording location and date for Bob Dylan’s contribution are not
known.
The session date here is the
original broadcast date.
Stereo radio recording, 60 minutes.
Previous episode: Sugar
and Candy
Next episode: Truth
and Lies
Session info updated 4 April 2011.
[TOP]
Studio B |
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The |
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11 March 2009 |
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Theme Time Radio Hour, Episode 95: Truth and Lies |
1955 |
The Chromatics |
Tell
A Lie |
1970 |
Aretha Franklin |
Don't
Play That Song |
1951 |
Fats Domino |
Don't
Lie To Me |
1950 |
Leon Chappel |
True
Blue Papa |
1973 |
Gram Parsons |
How
Much I've Lied |
1954 |
Guitar Slim |
Twenty
Five Lies |
1957 |
Carl Perkins |
Your
True Love |
1954 |
Faye Adams |
I'll
Be True |
1966 |
Duke Reid &The Silvertones |
True Confessions |
1955 |
Willie Mabon |
He
Lied |
1958 |
Conway Twitty |
It's
Only Make Believe |
1965 |
Bobby Moore &The Fourmost |
It
Was A Lie |
1966 |
The Who |
La-La-La
Lies |
Selected BobTalk
Heh heh heh…Welcome to the Underground Garage. I’m Little Steven.
People think of him as just a jolly fat man from New Orleans, but they
don’t realize what a bluesy piano player he is. Here he is with a song that’ll
help you get down to the real nitty-gritty. (about Fats Domino)
He’s flamboyant and an artist you can’t ignore. (about Guitar Slim)
Everybody always thinks of rockabilly as being a guitar-based music, but
you can’t imagine that record without Jerry Lee Lewis pumpin’ the piano all
over it. During the 60’s and the 70’s the guitar hero became popular, but for
my money give me that pumpin’ piano. The only reason the guitar became so
popular is because you could wear it around your neck and stand in the middle
of the stage. The poor guy playin’ the piano was stuck in one spot and unless
you were Little Richard or Jerry Lee Lewis you were relegated to the
background. I feel we lost something when it became all guitars and no piano.
Another thing that happened is that somewhere along the line people seemed to
think the solo was more important than the song. On some of my favorite blues
records there isn’t even a solo at all. The guitar playing is mostly call and
response to the vocals. If you’re lucky maybe there’s a one chorus guitar solo.
It’s not about the length of the solo, it’s the feel, and a lot of those blues
records had more feel than you could ever put in a twenty minute solo.
Here’s another one of those records that I don’t know anything about.
There was more than one artist named Bobby Moore, and the records I have don’t
all sound like the same guy.
Before they started making operas, The Who were one of the great singles
bands of the 60’s.
Notes.
The session location is fictional.
The actual recording location and date for Bob Dylan’s contribution are not
known.
The session date here is the
original broadcast date.
Stereo radio recording, 60 minutes.
Previous episode: Questions
Next episode: Family
Circle
Session info updated 4 April 2011.
[TOP]
Studio B |
|
|
The |
|
|
|
18 March 2009 |
|
|
|
Theme Time Radio Hour, Episode 96: Family Circle |
|
|
|
“It's night time in the Big City. The city lights reflect off the Burnet River Working girls share an inside joke.” |
1947 |
Lonzo & Oscar |
I'm
My Own Grandpa |
1930 |
Memphis Jug Band |
Aunt
Caroline Dyer Blues |
1976 |
Clannad |
Two
Sisters |
1965 |
Peter Tosh & The Wailers |
Shame
And Scandal (In The Family) |
1960 |
The Olympics |
I
Wish I Could Shimmy Like My Sister Kate |
1961 |
Elvis Presley |
Little
Sister |
1987 |
Boozoo Chavis |
Uncle
Bud |
1970 |
The Flamin' Groovies |
Second
Cousin |
1976 |
The Wild Tchoupitoulas |
Brother
John |
2002 |
Rilo Kiley |
A
Better Son / Daughter |
1955 |
Willie Mabon |
The
Seventh Son |
1938 |
Cliff Bruner & His Texas Wanderers |
Bring
It On Home To Grandma |
1971 |
Sly & The Family Stone |
Family
Affair |
Selected BobTalk
We’re gonna take a few ticks of the clock to look at heart and hearth.
We’ll look at family trees, family dinners, family planning, and family jewels.
There’ll be Dutch uncles, grandfather clocks, kissing cousins, sons of a gun,
and maybe a couple of SOBs. It’s all in the family. Let’s get it goin.
He was a brilliant singer and one of the best guitarists to come out of
Jamaica…he was a proselytizer of the healing powers of marijuana…he was kinda
like the Dr. Phil of ganja. (about Peter Tosh)
You know, people used to go into the studio when they had a song or two,
when they had something to say. Nowadays, people just go into the studio ‘cause
they got time to kill. They sit around, they order sushi, get some Starbucks,
wait for inspiration to hit, and the records sound like that. There’s some
records that take two years to make and you listen to ‘em, and there’s nothin’
on ‘em! This record, I guarantee you, took less than two hours to make, and
wasn’t even the A side. You be the judge. What would you rather listen to? A
whole record about nothin’ or a 45 called Little Sister?”
It’s kind of ironic: we’re doing our family show, and this is probably
the least family-oriented song we’ve ever played. It is not for the
pusillanimous listener, so if you’re listening with young children please send
them out of the room for a few minutes. Unless you’re listening in the car. In
that case turn the radio down for a while. (about Uncle Bud)
As good as that record sounds, you gotta see what they look like! That,
my friends, is what I call showmanship. (about The Wild Tchoupitoulas)
The question I have is, ‘Bring WHAT on home to grandma?
A weary skeptical record, with a darkness born of drug use. This song
was all over the radio and its power could not be denied. (about Family Affair)
Notes.
The session location is fictional.
The actual recording location and date for Bob Dylan’s contribution are not
known.
The session date here is the
original broadcast date.
Stereo radio recording, 60 minutes.
Previous episode: Truth
and Lies
Next episode: Noah's
Ark: Part 1
Session info updated 4 April 2011.
[TOP]
Berns Salonger |
|
|
|
|
22 March 2009 |
1. |
Most Likely You
Go Your Way (And I'll Go Mine) |
2. |
Señor (Tales Of
Yankee Power) |
3. |
I'll Be Your
Baby Tonight |
4. |
Stuck Inside Of
|
5. |
Tryin' To Get
To Heaven |
6. |
Things Have
Changed |
7. |
Watching The
River Flow |
8. |
Blind Willie
McTell |
9. |
I Don't Believe
You (She Acts Like We Never Have Met) |
10. |
I Believe In
You |
11. |
Honest With Me |
12. |
Billy |
13. |
Summer Days |
14. |
All Along The
Watchtower |
|
— |
15. |
Cry A While |
16. |
Like A Rolling
Stone |
17. |
Forever Young |
Concert #
2107 of The Never-Ending Tour. First concert of the 2009 Europe Spring Tour.
First 2009 concert.
Concert #
378 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel
guitar), Tony Garnier (bass), George Recile (drums & percussion).
6 Bob Dylan (guitar).
1-5, 7-17 Bob Dylan (keyboard).
2, 3, 5, 9, 10, 12, 15, 17 Bob Dylan (harmonica).
6 Donnie Herron (violin).
8 Donnie Herron (mandolin).
15 Donnie Herron (banjo).
Notes.
First live performance of Billy.
No songs from Modern Times!
Other Bob Dylan concerts in
Konserthuset |
|
Johanneshovs Isstadion |
|
Johanneshovs Isstadion |
|
Globe Arena |
|
Cirkus, Kungliga Djurgården |
|
Cirkus, Kungliga Djurgården |
|
Lida Friluftsgård, Tullinge |
|
Globe
Arena |
|
Globe
Arena |
|
Globe Arena |
|
Globe Arena |
|
Globe Arena |
|
Debaser Medis |
|
Globe Arena |
|
Globe Arena |
|
Globe Arena |
|
Stockholm Waterfront Auditorium |
|
Stockholm Waterfront Auditorium |
|
Stockholm Waterfront Auditorium |
|
Stockholm Waterfront Auditorium |
|
Stockholm Waterfront Auditorium |
|
Stockholm Waterfront Auditorium |
|
Globe Arena |
Stereo audience recording, 120 minutes.
Stereo audience recording, 115 minutes.
Session info updated 15 July 2019.
[TOP]
30910 |
Globe Arena |
|
|
|
23 March 2009 |
1. |
Rainy Day Women
# 12 & 35 |
2. |
Lay Lady Lay |
3. |
Tangled Up In
Blue |
4. |
Chimes Of
Freedom |
5. |
High Water (For
Charley Patton) |
6. |
Stuck Inside Of
|
7. |
Love Sick |
8. |
Desolation Row |
9. |
Rollin' And
Tumblin' |
10. |
Make You Feel
My Love |
11. |
Highway 61
Revisited |
12. |
One More Cup Of
Coffee (Valley Below) |
13. |
Thunder On The
Mountain |
14. |
Like A Rolling
Stone |
|
— |
15. |
All Along The
Watchtower |
16. |
Spirit On The
Water |
17. |
Blowin' In The
Wind |
Concert #
2108 of The Never-Ending Tour. Second concert of the 2009 Europe Spring Tour.
Second 2009 concert.
Concert #
379 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel
guitar), Tony Garnier (bass), George Recile (drums & percussion).
2, 12 Bob Dylan (guitar).
1, 3, 4, 6-11, 13-17 Bob Dylan (keyboard).
1, 3, 5-8, 10, 11, 16, 17 Bob Dylan (harmonica).
5 Donnie Herron (banjo).
7-9 Donnie Herron (mandolin).
17 Donnie Herron (violin).
Notes.
Other Bob Dylan concerts in Stockholm, Sweden:
Konserthuset |
|
Johanneshovs Isstadion |
|
Johanneshovs Isstadion |
|
Globe Arena |
|
Cirkus, Kungliga Djurgården |
|
Cirkus, Kungliga Djurgården |
|
Lida Friluftsgård, Tullinge |
|
Globe
Arena |
|
Globe
Arena |
|
Globe Arena |
|
Globe Arena |
|
Globe Arena |
|
Debaser Medis |
|
Globe Arena |
|
Berns Salonger |
|
Globe Arena |
|
Stockholm Waterfront Auditorium |
|
Stockholm Waterfront Auditorium |
|
Stockholm Waterfront Auditorium |
|
Stockholm Waterfront Auditorium |
|
Stockholm Waterfront Auditorium |
|
Stockholm Waterfront Auditorium |
|
Globe Arena |
14 new songs (82%) compared to previous concert.
14 new songs for this tour.
Stereo audience recording, 110 minutes.
Session info updated 15 July 2019.
[TOP]
Studio B |
|
|
The |
|
|
|
25 March 2009 |
|
|
|
Theme Time Radio Hour, Episode 97: Noah's Ark: Part 1 |
|
|
|
“It's night time in the Big City. A burly man sells factory-seconds tube socks out of his trunk An abandoned balloon is stuck in a tree.” |
1962 |
Jimmy Cliff |
King
of Kings |
1939 |
Cousin Emmy with Frank Moore and His Log
Cabin Boys |
Ground
Hog |
1961 |
Rolf Cahn & Eric Von Schmidt |
Grizzly
Bear |
1957 |
Dave Bartholomew |
The
Monkey Speaks His Mind |
1963 |
Joe D. Johnson |
Rattlesnake
Daddy |
1964 |
The Marvelettes |
Too
Many Fish in the Sea |
1934 |
The Sons of the Pioneers |
Hold
That Critter Down |
1988 |
Bonnie Raitt |
Baby
Mine |
1963 |
Rolf Harris |
Tie
Me Kangaroo Down, Sport |
1945 |
Tex Ritter |
Froggy
Went A Courtin' |
1948 |
Louis Jordan & His Tympany Five |
Barnyard
Boogie |
1986 |
Waylon Jennings |
Will
The Wolf Survive? |
1957 |
Sonny Boy Williamson II |
Fattening
Frogs for Snakes |
1929 |
Lesley Sarony with Jack Hylton & His
Orchestra |
Jollity
Farm |
1968 |
The Kinks |
Animal
Farm |
Selected BobTalk
I like to think of myself as a glass half full kinda guy. I don’t like
to think about all the people that drowned in the great flood, I like to think
about all the animals Noah saved. So this week we’re gonna climb aboard Noah’s
Ark and take a look around. It’s gonna be a marvelous musical menagerie as we
listen to songs about, for and by the many members of the animal kingdom. Come
on! Watch where you step.
D. Bartholomew has a writing credit on this song, but I think the lyrics
go back a lot further. I have a postcard with a poem on it from at least the
30’s; but Dave did put a distinctive, driving guitar beat behind it. Anything
that gets this type of thought across, I’m all in favor of…A tale of morality
and monkey business.
It’s not totally politically correct but we must remember it was a
different time. (about Hold That Critter Down).
It sounds like she’s singing it to the man she loves but no, she’s
singin’ to an elephant! (about Bonnie Raitt)
Orginially the song was a satire. Queen Elizabeth had a habit of
referring to her ministers with animal nicknames. She called Sir Walter Raleigh
her fish. The French Ambassador Simier was her ape. And the Duc d’Alencon was
her frog. So this song wasn’t just about marriage in the barnyard, but it was a
scathing political satire. I didn’t get that the first time I heard it.
One of the few R & B records I know that has as steel guitar solo in
it. (about Barnyard Boogie)
Ya know, like when you take a gal out to dinner and then at the end of
the night she gives you a little peck on the cheek, and then she calls me to
come over? You know what you were doing buddy? You were fattening frogs for
snakes!
Notes.
The session location is fictional.
The actual recording location and date for Bob Dylan’s contribution are not known.
The session date here is the
original broadcast date.
Stereo radio recording, 60 minutes.
Previous episode: Family
Circle
Next episode: Noah's
Ark: Part 2
Session info updated 4 April 2011.
[TOP]
Spektrum |
|
|
|
|
25 March 2009 |
1. |
Watching The
River Flow |
2. |
When I Paint My
Masterpiece |
3. |
You Ain't Goin'
Nowhere |
4. |
It's Alright,
Ma (I'm Only Bleeding) |
5. |
Just Like A
Woman |
6. |
Stuck Inside Of
|
7. |
Ballad Of A
Thin Man |
8. |
I Don't Believe
You (She Acts Like We Never Have Met) |
9. |
The Levee's
Gonna Break |
10. |
When The Deal
Goes Down |
11. |
Highway 61
Revisited |
12. |
A Hard Rain's
A-Gonna Fall |
13. |
Thunder On The
Mountain |
14. |
Like A Rolling
Stone |
|
— |
15. |
All Along The
Watchtower |
16. |
Spirit On The
Water |
17. |
Blowin' In The
Wind |
Concert #
2109 of The Never-Ending Tour. Third concert of the 2009 Europe Spring Tour.
Third 2009 concert.
Concert #
380 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel
guitar), Tony Garnier (bass), George Recile (drums & percussion).
8 Bob Dylan (guitar).
1, 3-7. 9-17 Bob Dylan (keyboard).
2, 3, 6, 7, 16, 17 Bob Dylan (harmonica).
4 Donnie Herron (banjo).
9, 12 Donnie Herron (mandolin).
17 Donnie Herron (violin).
Notes.
Other Bob Dylan concerts in Oslo, Norway:
Spektrum |
|
Spektrum |
|
Frognerbadet |
|
Spektrum |
|
Spektrum |
|
Spektrum |
|
Spektrum |
|
Spektrum |
|
Spektrum |
|
Oslo Konserthus |
|
Oslo Konserthus |
|
Oslo Konserthus |
|
Spektrum |
|
Spektrum |
10 new songs (58%) compared to previous
concert. 8 new songs for this tour.
Stereo audience recording, 115 minutes.
Session info updated 16 July 2019.
[TOP]
Kinnarps Arena |
|
|
Jönköping, |
|
27 March 2009 |
1. |
Leopard-Skin
Pill-Box Hat |
2. |
When I Paint My
Masterpiece |
3. |
Don't Think
Twice, It's All Right |
4. |
The Levee's
Gonna Break |
5. |
Just Like A
Woman |
6. |
It's Alright,
Ma (I'm Only Bleeding) |
7. |
Most Likely You
Go Your Way (And I'll Go Mine) |
8. |
Million Miles |
9. |
Stuck Inside Of
|
10. |
This Wheel's On
Fire (Bob Dylan/Rick Danko) |
11. |
Highway 61
Revisited |
12. |
Make You Feel
My Love |
13. |
Thunder On The
Mountain |
14. |
Like A Rolling
Stone |
|
— |
15. |
All Along The
Watchtower |
16. |
Spirit On The
Water |
17. |
Blowin' In The
Wind |
Concert #
2110 of The Never-Ending Tour. Concert # 4 of the 2009 Europe Spring Tour. 2009
concert # 4.
Concert #
381 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel
guitar), Tony Garnier (bass), George Recile (drums & percussion).
3 Bob Dylan (guitar).
1, 4-9,11-17 Bob Dylan (keyboard).
2, 5, 7, 8, 10, 12, 16, 17 Bob Dylan (harmonica).
4 Donnie Herron (mandolin).
6 Donnie Herron (banjo).
17 Donnie Herron (violin).
Note. First Bob Dylan concert in Jönköping, Sweden.
6 new songs (35%) compared to previous concert.
4 new songs for this tour.
Stereo audience recording, 115 minutes.
Session info updated 8 May 2009.
[TOP]
Malmö Arena |
|
|
Malmö, |
|
28 March 2009 |
1. |
Maggie's Farm |
2. |
The Man In Me |
3. |
Watching The
River Flow |
4. |
When The Deal
Goes Down |
5. |
High Water (For
Charley Patton) |
6. |
Stuck Inside Of
|
7. |
Ballad Of
Hollis Brown |
8. |
Just Like A
Woman |
9. |
Tweedle Dee
& Tweedle Dum |
10. |
Beyond The
Horizon |
11. |
Summer Days |
12. |
The Lonesome
Death Of Hattie Carroll |
13. |
Highway 61
Revisited |
14. |
Like A Rolling
Stone |
|
— |
15. |
All Along The
Watchtower |
16. |
Spirit On The
Water |
17. |
Blowin' In The
Wind |
Concert # 2111
of The Never-Ending Tour. Concert # 5 of the 2009 Europe Spring Tour. 2009
concert # 5.
Concert #
382 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel
guitar), Tony Garnier (bass), George Recile (drums & percussion).
3 Bob Dylan (guitar).
1, 4-17 Bob Dylan (keyboard).
2, 6, 8, 10, 12, Bob Dylan (harmonica).
5 Donnie Herron (banjo).
12 Donnie Herron (mandolin).
17 Donnie Herron (violin).
Notes.
Other Bob Dylan concerts in Malmö, Sweden:
Slottsmöllan |
|
Sibbarps
strand |
|
Malmö Arena |
|
Malmö Live |
10 new songs (58%) compared to previous
concert. 6 new songs for this tour.
Stereo audience recording, 105 minutes.
Session info updated 7 November 2015.
[TOP]
Forum |
|
|
|
|
29 March 2009 |
1. |
Gotta Serve
Somebody |
2. |
When I Paint My
Masterpiece |
3. |
Watching The
River Flow |
4. |
Simple Twist Of
Fate |
5. |
Tweedle Dee
& Tweedle Dum |
6. |
I Believe In
You |
7. |
'Til I Fell In
Love With You |
8. |
Tryin' To Get
To Heaven |
9. |
It's Alright,
Ma (I'm Only Bleeding) |
10. |
Desolation Row |
11. |
Honest With Me |
12. |
When The Deal
Goes Down |
13. |
Thunder On The
Mountain |
14. |
Like A Rolling
Stone |
|
— |
15. |
All Along The
Watchtower |
16. |
Spirit On The
Water |
17. |
Blowin' In The
Wind |
Concert #
2112 of The Never-Ending Tour. Concert # 6 of the 2009 Europe Spring Tour. 2009
concert # 6.
Concert #
383 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel
guitar), Tony Garnier (bass), George Recile (drums & percussion).
3 Bob Dylan (guitar).
1, 4-17 Bob Dylan (keyboard).
2, 4, 6, 7, 8, 12, 16, 17 Bob Dylan (harmonica).
9 Donnie Herron (banjo).
10 Donnie Herron (mandolin).
17 Donnie Herron (violin).
Notes.
Other Bob Dylan concerts in Copenhagen, Denmark:
Brøndby-Hallen |
|
Idraetsparken |
|
Valby Hallen |
|
Den Grå Hal |
|
Den Grå Hal |
|
Forum |
|
Forum |
|
Forum |
|
Forum |
|
Falconer Salen |
|
Falconer Salen |
|
Falconer Salen |
|
Falconer Salen |
|
Den Kongelige Opera |
|
Den Kongelige Opera |
First live performance of Gotta Serve Somebody since St. Pete Times
Forum, Tampa, Florida 30 July 2003.
10 new songs (58%) compared to previous
concert. 3 new songs for this tour.
Stereo audience recording, 115 minutes.
By courtesy of Michele Ulisse Lipparini.
Session info
updated 17 August 2020.
[TOP]
AWD Hall |
|
|
|
|
31 March 2009 |
1. |
Leopard-Skin
Pill-Box Hat |
2. |
The Man In Me |
3. |
Just Like Tom
Thumb's Blues |
4. |
Chimes Of
Freedom |
5. |
The Levee's
Gonna Break |
6. |
Sugar Baby |
7. |
|
8. |
Stuck Inside Of
|
9. |
Masters Of War |
10. |
Shooting Star |
11. |
Highway 61
Revisited |
12. |
Nettie Moore |
13. |
Summer Days |
14. |
Like A Rolling
Stone |
|
— |
15. |
All Along The
Watchtower |
16. |
Dignity |
17. |
Thunder On The
Mountain |
Concert #
2113 of The Never-Ending Tour. Concert # 7 of the 2009 Europe Spring Tour. 2009
concert # 7.
Concert #
384 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel guitar),
Tony Garnier (bass), George Recile (drums & percussion).
1, 3-17 Bob Dylan (keyboard).
2, 3, 5, 7, 10, 12, 16 Bob Dylan (harmonica).
5 Donnie Herron (mandolin).
7 Donnie Herron (banjo).
12 Donnie Herron (viola).
Notes.
Other Bob Dylan concerts in
Messehalle
20 |
|
Musik Halle |
|
Musik Halle |
|
Stadionsporthalle |
|
Stadionsporthalle |
|
AWD Hall |
|
TUI Arena |
|
Swiss
Life Hall |
|
26 October 2005 |
|
14 new songs (82%) compared to previous
concert. 7 new songs for this tour.
Stereo audience recording, 110 minutes.
Session info updated 13 May 2017.
[TOP]
Studio B |
|
|
The |
|
|
|
1 April 2009 |
|
|
|
Theme Time Radio Hour, Episode 98: Noah's Ark: Part 2 |
|
|
|
“It's night time in the Big City. A cop runs a license plate I never tell the truth.” |
1975 |
The Meters |
They All
Ask'd For You (The Audobon Zoo Song) |
1958 |
Roddy Jackson |
There's A
Moose On The Loose |
1967 |
Jefferson Airplane |
White
Rabbit |
1930 |
Leroy Carr & Scrapper Blackwell |
Carried
Water For The Elephant |
1972 |
Randy Newman |
Simon
Smith And The Amazing Dancing Bear |
1971 |
The Country Gentlemen |
Fox On
The Run |
1964 |
Nina Simone |
See Line
Woman |
1976 |
Joni Mitchell |
Coyote |
1947 |
Johnny Mercer with Paul Weston and his Orchestra |
Possum
Song |
1969 |
The Maytals |
Monkey
Man |
1953 |
Dick 'Two Ton' Baker |
Bert The
Turtle (The Duck And Cover Song) |
1955 |
Lazy Bill Lucas & the Blues Rockers |
Calling
All Cows |
1941 |
Memphis Minnie and Little Son Joe |
Black Rat
Swing |
1960 |
Ferlin Husky |
On The
Wings Of A Snow White Dove |
Selected BobTalk
Don’t be a jackass! We’re gonna go ape. Take the bull by the horns. Play
a little cat and mouse. Shoot some fish in a barrel. And go hog-wild. ‘Cause I’m
crazy like a fox, proud as a peacock. So unless you’re ugly as a toad I’m ready
to talk turkey. There’ll be no weaseling out as we have as much fun as a barrel
of monkeys.
One of my three favorite songs about meese. (about There’s a Moose on the Loose).
Telling us to feed our heads. That’s not a direct quotation from the
dormouse, by the way. (about The Jefferson Airplane)
Here’s another strong-willed woman, and I mean that in the best possible
way… (Coyotes are) a very vocal animal… use short barks to warn of danger…whine
and whimper when they are establishing bonds. They produce high pitched barks
to summon puppies and sometimes, late at night when they’re all relaxing, they
sing Joni Mitchell songs.
I think that might have been produced by the Chinese-Jamaican producer,
Leslie Kong. Chinese-Jamaican…that’d be a good kinda food. Get myself some
General Tso’s Jerk Chicken! (about Monkey
Man)
This is Theme Time Radio Hour, your home for barking dreams, roaring
themes, and slithering schemes. Climb aboard Noah’s Ark with us. It’s a musical
menagerie, animalistically speaking.
Notes.
The session location is fictional.
The actual recording location and date for Bob Dylan’s contribution are not
known.
The session date here is the
original broadcast date.
Stereo radio recording, 60 minutes.
Previous episode: Noah's
Ark: Part 1
Next episode: Clearance
Sale
Session info updated 4 April 2011.
[TOP]
Max Schmeling Halle |
|
|
|
|
1 April 2009 |
1. |
The Wicked
Messenger |
2. |
When I Paint My
Masterpiece |
3. |
You Ain't Goin'
Nowhere |
4. |
The Levee's
Gonna Break |
5. |
My Back Pages |
6. |
Things Have
Changed |
7. |
Tweedle Dee
& Tweedle Dum |
8. |
Beyond The
Horizon |
9. |
Stuck Inside Of
|
10. |
Love Sick |
11. |
Highway 61
Revisited |
12. |
Workingman's
Blues #2 |
13. |
Thunder On The
Mountain |
14. |
Like A Rolling
Stone |
|
— |
15. |
All Along The
Watchtower |
16. |
Spirit On The
Water |
17. |
Blowin' In The
Wind |
Concert #
2114 of The Never-Ending Tour. Concert # 8 of the 2009 Europe Spring Tour. 2009
concert # 8.
Concert #
385 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel
guitar), Tony Garnier (bass), George Recile (drums & percussion).
3 Bob Dylan (guitar).
1, 4-6, 8-17 Bob Dylan (keyboard).
2, 4, 5, 7-9, 16, 17 Bob Dylan (harmonica).
1, 4, 10 Donnie Herron (mandolin).
6, 17 Donnie Herron (violin).
Notes.
Other Bob Dylan concerts in Berlin, Germany:
Deutschlandhalle,
|
|
Waldbühne,
|
|
Treptower
Festwiese, |
|
Internationales
Congress Centrum, |
|
Tempodrome |
|
Tempodrome |
|
Waldbühne |
|
Arena |
|
Arena |
|
Arena |
|
Arena
Treptow |
|
Max
Schmeling Halle |
|
O2 World |
|
Zitadelle
Spandau |
|
Tempodrom |
|
Tempodrom |
|
Tempodrom |
|
Tempodrom |
|
Tempodrom |
|
Mercedes-Benz
Arena |
11 new songs (64%) compared to previous
concert. 3 new songs for this tour.
Stereo audience recording, 110 minutes.
Session info updated 27 July 2020.
.
By courtesy of Michele Ulisse Lipparini.
[TOP]
Messehalle |
|
|
|
|
2 April 2009 |
1. |
Cat's In The
Well |
2. |
Man In The Long
Black Coat |
3. |
I'll Be Your
Baby Tonight |
4. |
Can't Wait |
5. |
Most Likely You
Go Your Way (And I'll Go Mine) |
6. |
Beyond The
Horizon |
7. |
High Water (For
Charley Patton) |
8. |
Girl From The |
9. |
Honest With Me |
10. |
A Hard Rain's
A-Gonna Fall |
11. |
Highway 61
Revisited |
12. |
Ain't Talkin' |
13. |
Thunder On The
Mountain |
14. |
Like A Rolling
Stone |
|
— |
15. |
All Along The
Watchtower |
16. |
Spirit On The
Water |
17. |
Blowin' In The
Wind |
Concert #
2115 of The Never-Ending Tour. Concert # 9 of the 2009 Europe Spring Tour. 2009
concert # 9.
Concert #
386 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel guitar),
Tony Garnier (bass), George Recile (drums & percussion).
3, 5, 8, 16, 17 Bob Dylan (harmonica).
1, 17 Donnie Herron (violin).
7 Donnie Herron (banjo).
10 Donnie Herron (mandolin).
12 Donnie Herron (viola).
Notes
Other Bob Dylan concerts in Erfurt, Germany:
Messehalle |
|
Messehalle |
10 new songs (58%) compared to previous
concert. 5 new songs for this tour.
Stereo audience recording, 115 minutes.
Session info updated 4 August 2019.
[TOP]
Zenith |
|
|
|
|
4 April 2009 |
1. |
Maggie's Farm |
2. |
One More Cup Of
Coffee (Valley Below) |
3. |
You Ain't Goin'
Nowhere |
4. |
Things Have
Changed |
5. |
Just Like A
Woman |
6. |
Rollin' And
Tumblin' |
7. |
The Lonesome
Death Of Hattie Carroll |
8. |
Tweedle Dee
& Tweedle Dum |
9. |
Sugar Baby |
10. |
Highway 61
Revisited |
11. |
Ballad Of
Hollis Brown |
12. |
Workingman's
Blues #2 |
13. |
Thunder On The
Mountain |
14. |
Like A Rolling
Stone |
|
— |
15. |
All Along The Watchtower |
16. |
Spirit On The
Water |
17. |
Blowin' In The
Wind |
Concert #
2116 of The Never-Ending Tour. Concert # 10 of the 2009 Europe Spring Tour.
2009 concert # 10.
Concert #
387 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel
guitar), Tony Garnier (bass), George Recile (drums & percussion).
3 Bob Dylan (guitar).
1-2, 4-7,9-17 Bob Dylan (keyboard).
2, 5, 8, 16, 17 Bob Dylan (harmonica).
4, 17 Donnie Herron (violin).
6, 7 Donnie Herron (mandolin).
Notes
Other Bob Dylan concerts in Munich, Germany:
Olympiahalle |
|
Olympiahalle |
|
Olympia Stadion |
|
Olympiahalle |
|
Zirkus Krone |
|
Terminal
1 |
|
Olympiahalle |
|
Olympiahalle |
|
Olympiahalle |
|
Zenith |
|
Olympiahalle |
|
Tollwood, Olympiapark |
11 new songs (64%) compared to previous
concert. No new songs for this tour.
Stereo audience recording, 110 minutes.
Session info updated 4 August 2014.
[TOP]
Saarlandhalle |
|
|
|
|
5 April 2009 |
1. |
Gotta Serve
Somebody |
2. |
Lay Lady Lay |
3. |
The Levee's Gonna
Break |
4. |
Every Grain Of
Sand |
5. |
Tweedle Dee
& Tweedle Dum |
6. |
Beyond The
Horizon |
7. |
Honest With Me |
8. |
Sugar Baby |
9. |
Stuck Inside Of
|
10. |
|
11. |
Summer Days |
12. |
I Believe In
You |
13. |
Highway 61 Revisited |
14. |
Like A Rolling
Stone |
|
— |
15. |
All Along The
Watchtower |
16. |
Spirit On The
Water |
17. |
Blowin' In The
Wind |
Concert # 2117
of The Never-Ending Tour. Concert # 11 of the 2009 Europe Spring Tour. 2009
concert # 11.
Concert #
388 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel
guitar), Tony Garnier (bass), George Recile (drums & percussion).
3 Bob Dylan (guitar).
1-2,4-17 Bob Dylan (keyboard).
1, 4, 9, 10, 16, 17 Bob Dylan (harmonica).
3 Donnie Herron (mandolin).
17 Donnie Herron (violin).
Notes
First Bob Dylan concert in Saarbrücken, Germany. Next concert:
Saarlandhalle |
10 new songs (58%) compared to previous concert.
2 new songs for this tour.
Stereo audience recording, 105 minutes.
Session info updated 8 November 2015.
[TOP]
Palais des Congrès de Paris |
|
|
|
|
7 April 2009 |
1. |
Cat's In The
Well |
2. |
The Times They
Are A-Changin' |
3. |
I'll Be Your
Baby Tonight |
4. |
Stuck Inside Of
|
5. |
|
6. |
Rollin' And
Tumblin' |
7. |
Chimes Of
Freedom |
8. |
Tweedle Dee
& Tweedle Dum |
9. |
Masters Of War |
10. |
Honest With Me |
11. |
Beyond The
Horizon |
12. |
Highway 61
Revisited |
13. |
|
14. |
Thunder On The
Mountain |
15. |
Like A Rolling
Stone |
|
— |
16. |
All Along The
Watchtower |
17. |
Spirit On The
Water |
18. |
Blowin' In The
Wind |
Concert #
2118 of The Never-Ending Tour. Concert # 12 of the 2009 Europe Spring Tour.
2009 concert # 12.
Concert #
389 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel
guitar), Tony Garnier (bass), George Recile (drums & percussion).
3 Bob Dylan (guitar).
1-2,4-18 Bob Dylan (keyboard).
2, 8, 13, 17, 18 Bob Dylan (harmonica).
1, 18 Donnie Herron (violin).
5 Donnie Herron (banjo).
6 Donnie Herron (mandolin).
Notes.
Other
Bob Dylan concerts in Paris, France.
8 new songs (44%) compared to previous concert.
1 new song for this tour.
Stereo audience recording, 110 minutes.
Session info updated 4 May 2019.
[TOP]
Studio B |
|
|
The |
|
|
|
8 April 2009 |
|
|
|
Theme Time Radio Hour, Episode 99: Clearance Sale |
|
|
|
“It's night time in the Big City. Everything must go, and we pass the savings onto you.” |
1930 |
Clarence Ashley |
Little Sadie |
1949 |
Clarence Garlow |
Bon Ton Roula |
1957 |
Rex Griffin |
You Got To Go To Work |
1937 |
Billie Holiday with Teddy Wilson & His Orchestra |
When You're Smiling |
1956 |
Clarence 'Frogman' Henry |
Ain't Got No Home |
1973 |
Bob Wills & His Texas Playboys |
Big Balls In Cowtown (We'll
Dance Around) |
1931 |
Walter 'Kid' Smith |
My Evolution Girl |
1988 |
Steve Earle |
Copperhead Road |
1956 |
Jerry Lee Lewis & His Pumping Piano |
End Of The Road |
1988 |
Van Morrison & The Chieftains |
Raglan Road |
1960 |
Clarence White & Roger Bush |
Bury Me Beneath The Willow |
1968 |
Dusty Springfield |
Son Of A Preacher Man |
1971 |
O.V. Wright |
A Nickel And A Nail |
1966 |
Anita Harris |
Somebody's In My Orchard |
1953 |
Clarence 'Gatemouth' Brown |
Boogie Uproar |
1945 |
Big Joe Turner |
Rock Of Gibraltar |
1935 |
Cripple Clarence Lofton |
Strut That Thing |
1934 |
The Lion |
Bing Crosby |
1987 |
Ben Vaughn Combo |
Jerry Lewis In France |
1954 |
Jimmy Heap & The Melody Masters |
You're Nothing But A Nothin' |
1963 |
Ike & Tina Turner |
You Can't Miss Nothing That You
Never Had |
1972 |
Jim Ford |
Go Through Sunday |
1968 |
Clarence Carter |
Too Weak To Fight |
1955 |
Annisteen Allen |
Fujiyama Mama |
1957 |
Wanda Jackson |
Fujiyama Mama |
2007 |
Rilo Kiley |
15 |
1960 |
Johnny Cash |
Mean Eyed Cat |
1969 |
Clarence Reid |
Fools Are Not Born |
1928 |
Mississippi John Hurt |
Candy Man |
1970 |
The Wailers |
Sugar Sugar |
1956 |
Clarence Palmer & the Jive Bombers |
Bad Boy |
1963 |
Betty Carter |
'Round Midnight |
1969 |
The Rolling Stones |
Let It Bleed |
Selected BobTalk
Here’s a guy as far away from the prodigal son as you can imagine.
(about Steve Earle)
He sings this song, he pounds the piano. He says he wrote it and that’s
good enough for me.” (about Jerry Lee Lewis)
A traditional song, but in the hands of someone like Van Morrison you
can see how hard it is to separate the performer from the performance. It’s
like a great jazz musician bringing a new interpretation to a song you’ve heard
dozens of times.
Born with the name Mary Isabel Catherine Bernadette O’Brien – a lovely
Jewish name.” (about Dusty Springfield)
Let’s wander over to the succulent fruit department…ya know I better get
out of the peach orchard before I get myself in trouble.” (about Somebody’s In
My Orchard)
“He had a loud guitar and a
swingin’ band…you hear this (trombone) solo and you can’t believe that Al
(Grey) played with Duke Ellington’s band…it’s pure gutbucket!...We don’t play a
lot of instrumentals all the way through, but that one was so swingin’ we had
to play the whole thing. (about Clarence Gatemouth Brown
We don’t often play two versions of one song, but these two are so
different, and Wanda’s rocks so hard, that we got to play both of them. (about Fujiyama Mama)
The sweet, gentle sounds of Mississippi John Hurt. You can hear elements
of the songster tradition, the music that came before the blues, carrying
elements of minstrel songs and other native American forms.
In a crypt near his birthplace, buried along with him, were his Gibson
Les Paul guitar, a ring he wore every day that was given to him by Prince Asfaw
Wossen of Ethiopia, a marijuana bud, a soccer ball, and a bible. His needs were
simple.” (about Bob Marley)
Known as Betty Bebop, but she hated that name. She thought that bebop
was limited and she wanted to do more, and she did. (about Betty Carter)
Notes.
The session location is fictional.
The actual recording location and date for Bob Dylan’s contribution are not
known.
The session date here is the
original broadcast date.
Stereo radio recording, 120 minutes.
Previous episode: Noah's
Ark: Part 2
Next episode: Goodbye
Session info updated 4 April 2011.
[TOP]
Palais des Congrès de Paris |
|
|
|
|
8 April 2009 |
1. |
The Wicked
Messenger |
2. |
Lay Lady Lay |
3. |
Things Have
Changed |
4. |
When The Deal
Goes Down |
5. |
'Til I Fell In
Love With You |
6. |
Stuck Inside Of
|
7. |
Sugar Baby |
8. |
It's Alright,
Ma (I'm Only Bleeding) |
9. |
The Lonesome
Death Of Hattie Carroll |
10. |
Tweedle Dee
& Tweedle Dum |
11. |
Beyond The
Horizon |
12. |
Highway 61
Revisited |
13. |
The Times We've
Known
(Charles Aznavour) |
14. |
Thunder On The
Mountain |
15. |
Like A Rolling
Stone |
|
— |
16. |
All Along The
Watchtower |
17. |
Spirit On The
Water |
18. |
Blowin' In The
Wind |
Concert # 2119
of The Never-Ending Tour. Concert # 13 of the 2009 Europe Spring Tour. 2009
concert # 13.
Concert #
390 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel
guitar), Tony Garnier (bass), George Recile (drums & percussion).
2 Bob Dylan (guitar).
1, 3-18 Bob Dylan (keyboard).
4-6, 10, 17-18 Bob Dylan (harmonica).
1, 9 Donnie Herron (mandolin).
3, 17 Donnie Herron (violin).
8 Donnie Herron (banjo).
Notes.
Second live performance of The Times
We've Known, the first was in New York City, New York 1 November 1998.
Other
Bob Dylan concerts in Paris, France.
9 new songs (50%) compared to previous concert.
1 new song for this tour.
Stereo audience recording, 115 minutes.
Session info
updated 4 May 2019.
[TOP]
|
|
|
|
|
10 April 2009 |
1. |
Leopard-Skin
Pill-Box Hat |
2. |
When I Paint My
Masterpiece |
3. |
Watching The
River Flow |
4. |
Boots Of
Spanish Leather |
5. |
Rollin' And
Tumblin' |
6. |
|
7. |
Honest With Me |
8. |
Workingman's
Blues #2 |
9. |
High Water (For
Charley Patton) |
10. |
Love Sick |
11. |
Highway 61
Revisited |
12. |
Nettie Moore |
13. |
Summer Days |
14. |
Like A Rolling
Stone |
|
— |
15. |
All Along The
Watchtower |
16. |
Spirit On The
Water |
17. |
Blowin' In The
Wind |
Concert #
2120 of The Never-Ending Tour. Concert # 14 of the 2009 Europe Spring Tour.
2009 concert # 14.
Concert #
391 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel
guitar), Tony Garnier (bass), George Recile (drums & percussion).
3 Bob Dylan (guitar).
1-2, 4-17 Bob Dylan (keyboard).
2, 6, 9, 16, 17 Bob Dylan (harmonica).
5, 10 Donnie Herron (mandolin).
9 Donnie Herron (banjo).
12 Donnie Herron (viola).
17 Donnie Herron (violin).
Notes.
Other Bob Dylan concerts in
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Koninklijk
Theater Carré |
|
Koninklijk
Theater Carré |
|
Koninklijk
Theater Carré |
|
|
|
|
|
|
12 new songs (70%) compared to previous
concert. 1 new song for this tour.
Stereo audience recording, 115 minutes.
Session info updated 11 May 2017.
[TOP]
|
|
|
|
|
11 April 2009 |
1. |
Maggie's Farm |
2. |
Mr. Tambourine
Man |
3. |
Man In The Long
Black Coat |
4. |
The Levee's
Gonna Break |
5. |
When The Deal
Goes Down |
6. |
Things Have
Changed |
7. |
The Lonesome
Death Of Hattie Carroll |
8. |
Tough Mama |
9. |
Workingman's
Blues #2 |
10. |
It's Alright,
Ma (I'm Only Bleeding) |
11. |
Just Like A
Woman |
12. |
Highway 61
Revisited |
13. |
Nettie Moore |
14. |
Thunder On The
Mountain |
15. |
Like A Rolling
Stone |
|
— |
16. |
All Along The
Watchtower |
17. |
Spirit On The
Water |
18. |
Blowin' In The
Wind |
Concert #
2121 of The Never-Ending Tour. Concert # 15 of the 2009 Europe Spring Tour.
2009 concert # 15.
Concert #
392 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel
guitar), Tony Garnier (bass), George Recile (drums & percussion).
4 Bob Dylan (guitar).
1-3, 5-18 Bob Dylan (keyboard).
2, 3, 11, 13, 18 Bob Dylan (harmonica).
4, 7 Donnie Herron (mandolin).
6, 18 Donnie Herron (violin).
10 Donnie Herron (banjo).
13 Donnie Herron (viola).
Notes.
First performance of Tough Mama since New York City, New
York 28 April 2005.
Other Bob Dylan concerts in
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Koninklijk
Theater Carré |
|
Koninklijk
Theater Carré |
|
Koninklijk
Theater Carré |
|
|
|
|
|
|
11 new songs (61%) compared to previous
concert. 2 new songs for this tour.
Stereo audience recording, 120 minutes.
Session info updated 11 May 2017.
[TOP]
|
|
|
|
|
12 April 2009 |
1. |
Gotta Serve
Somebody |
2. |
Don't Think
Twice, It's All Right |
3. |
Most Likely You
Go Your Way (And I'll Go Mine) |
4. |
Million Miles |
5. |
Stuck Inside Of
|
6. |
Sugar Baby |
7. |
Tweedle Dee
& Tweedle Dum |
8. |
Beyond The Horizon |
9. |
Desolation Row |
10. |
Tough Mama |
11. |
Highway 61
Revisited |
12. |
Ain't Talkin' |
13. |
Thunder On The
Mountain |
14. |
Like A Rolling
Stone |
|
— |
15. |
All Along The
Watchtower |
16. |
Spirit On The
Water |
17. |
Blowin' In The
Wind |
Concert # 2122
of The Never-Ending Tour. Concert # 16 of the 2009 Europe Spring Tour. 2009
concert # 16.
Concert #
393 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel
guitar), Tony Garnier (bass), George Recile (drums & percussion).
1-6, 8-17 Bob Dylan (keyboard).
2, 6, 7, 9, 10, 16, 17 Bob Dylan (harmonica).
9 Donnie Herron (mandolin).
12 Donnie Herron (viola).
17 Donnie Herron (violin).
Notes.
Other Bob Dylan concerts in Amsterdam, The Netherlands:
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Koninklijk
Theater Carré |
|
Koninklijk
Theater Carré |
|
Koninklijk
Theater Carré |
|
|
|
|
|
|
10 new songs (58%) compared to previous
concert. No new songs for this tour.
Stereo audience recording, 120 minutes.
Session info updated 11 May 2017.
[TOP]
St. Jakobshalle |
|
|
|
|
14 April 2009 |
1. |
Cat's In The
Well |
2. |
Don't Think
Twice, It's All Right |
3. |
I'll Be Your
Baby Tonight |
4. |
Stuck Inside Of
|
5. |
|
6. |
I Don't Believe
You (She Acts Like We Never Have Met) |
7. |
Masters Of War |
8. |
Tweedle Dee
& Tweedle Dum |
9. |
Visions Of
Johanna |
10. |
Honest With Me |
11. |
Girl From The |
12. |
Highway 61
Revisited |
13. |
Beyond The
Horizon |
14. |
Thunder On The
Mountain |
15. |
Like A Rolling
Stone |
|
— |
16. |
All Along The
Watchtower |
17. |
Spirit On The
Water |
18. |
Blowin' In The
Wind |
Concert #
2123 of The Never-Ending Tour. Concert # 17 of the 2009 Europe Spring Tour.
2009 concert # 17.
Concert #
394 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel
guitar), Tony Garnier (bass), George Recile (drums & percussion).
1, 2, 4-18
Bob Dylan (keyboard).
2, 3, 6, 9,
17, 18 Bob Dylan (harmonica).
1, 18 Donnie
Herron (violin).
5 Donnie Herron
(banjo).
9 Donnie Herron
(mandolin).
Notes
Other Bob Dylan concerts in Basel, Switzerland:
Sporthalle,
St. Jakob |
|
St. Jakob
Stadion |
|
St.
Jakobshalle |
|
Musical Theater |
|
Musical Theater |
8 new songs (44%) compared to previous concert.
1 new song for this tour.
Stereo audience recording, 115 minutes.
Session info updated 15 November 2015.
.
[TOP]
Studio B |
|
|
The |
|
|
|
15 April 2009 |
|
|
|
Theme Time Radio Hour, Episode 100: Goodbye |
1965 |
Elmore James |
Goodbye
Baby |
1930 |
Charlie Poole |
Goodbye
Sweet Liza Jane |
1964 |
Bessie Banks |
Go
Now |
1964 |
The Clancy Brothers |
The
Leaving Of Liverpool |
1964 |
The Ovations |
Adios
Senorita |
1972 |
Slim Smith |
(If
It Don't Work Out) Then You Can Tell Me Goodbye |
1953 |
Les Paul and Mary Ford |
Vaya
Con Dios |
2006 |
Mark Knopfler and Emmylou Harris |
If
This Is Goodbye |
1952 |
Little Caesar |
Goodbye
Baby |
1957 |
Weldon Rogers and The Teen Kings |
So
Long, Good Luck and Goodbye |
1983 |
Los Lobos |
Let's
Say Goodnight |
1947 |
Jimmy Liggins & His Drops Of Joy |
Troubles
Goodbye |
1967 |
Buffalo Springfield |
Go
and Say Goodbye |
1940 |
Slim Gaillard |
Splogham |
1955 |
Bobby Charles |
See
You Later Alligator |
1956 |
Jackie Brenston |
Much
Later For You Baby |
1957 |
Warren Smith |
So
Long, I'm Gone |
1954 |
Peppermint Harris |
Bye
Bye, Fare Thee Well |
1973 |
Jamaican Duke & The Mento Swingers |
Jamaica
Farewell |
1939 |
Ivie Anderson and Duke Ellington |
I'm
Checkin' Out Go'om Bye |
1934 |
Leadbelly |
Goodnight
Irene |
1965 |
Lee Dorsey |
So
Long |
1940 |
Woody Guthrie |
Dusty
Old Dust (So Long, It's Been Good To Know You) |
Selected BobTalk
It's one thing to make an entrance, it's another thing entirely to get
out alive. So for the next hour we'll be
checking all the exits, finding our way outta here…and this show might run a little
long this week, but that's OK. What are
they gonna do, fire me?
Great loose sounding record.
Really sounds like he's in it.
You know what drives me crazy? I
see all these pictures of rock bands in the studio, and they're very careful to
make sure you can see the bottle of whiskey they have with them. They want you to know they're on the
edge. You listen to their records, they
don't sound like that. What's up with
that? This guy, Peppermint Harris,
probably just had a couple nips before he went into the studio and he sounds
lose as a goose.
And it has been good to know you
this year and here we are at the end of another season. May you have warm words
on a cool evening, a full moon of a dark night, and a smooth road all the way
to your door. I'm going to head on down to Elmo's Lounge. We’re having
our wrap party there. Sampson's Diner is catering. If you happen to
be driving by and the light is still on, come in and have a drink. It'd be good
to see ya. In the mean time, see ya later, so long, and don't ever
forget, every goodbye is the birth of a memory.
Notes.
The session location is fictional.
The actual recording location and date for Bob Dylan’s contribution are not
known.
The session date here is the original
broadcast date.
Stereo radio recording, 120 minutes.
Previous episode: Clearance
Sale
Next episode: Kiss
Session info updated 4 April 2011.
[TOP]
Studio B |
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The |
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15 April 2009 |
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Theme Time Radio Hour, Episode 101: Kiss |
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It’s
night time in the big city. Someone
in the building is making popcorn. A
waitress returns home, happy to take her shoes off. I
wish people would curb their dogs. This is Theme Time Radio Hour with your host, Bob
Dylan. |
1964 |
Betty Everett |
The
Shoop Shoop Song (It’s in His Kiss) |
1951 |
Lefty Frizzell |
Always
Late with Your Kisses |
1988 |
Lucinda Williams |
Passionate Kisses |
1957 |
Billy Boy Arnold |
Kissing
At Midnight |
1986 |
Prince |
Kiss |
1953 |
Memphis Minnie |
Kissing
in the Dark |
1962 |
Danny White |
Kiss Tomorrow
Goodbye |
1960 |
Huelyn Duvall |
Pucker Paint |
1959 |
Connie Francis |
Lipstick
on Your Collar |
1959 |
The Everly Brothers |
‘Til
I Kissed You |
1963 |
The Falcons |
Let’s
Kiss and Make Up |
1958 |
Roy Head and The
Traits |
Baby,
Let Me Kiss You One More Time |
1964 |
J. Frank Wilson and
the Cavaliers |
Last
Kiss |
1951 |
Louis Armstrong |
A
Kiss to Build a Dream On |
BobTalk
Welcome to Theme Time Radio Hour.
Today we’re going to take a musical look at one of my favorite pastimes. It’s an
act of intimacy, the thing that Mae West called a man’s signature. And I’m
guessing she knows what she was talking about.
You can call it a lip lock, or, as
our friends across the pond call it, “snogging.” I call it good old-fashioned
kissing. You can kiss up, kiss off, kiss the Blarney Stone, or kiss my
ass. So, for the next hour, we’re going
to play a little musical game of “spin the bottle.” This is your kissing bandit
welcoming you to the osculatory edition of Theme Time Radio Hour.
Here’s a little lady from Chicago
way, though she was actually born in Mississippi. She made her name in Chicago,
recording for local labels like Vee-Jay, Cobra, and Wonderful. Wasn’t till she
went to Vee-Jay that she made her mark. Here’s Betty Everett and the Shoop Shoop
Song, “It’s in His Kiss.”
If it’s in his kiss, perhaps it’s
mononucleosis, commonly known as the “kissing disease.” It’s a viral infection,
most often the Epstein-Barr virus. It’s carried in saliva and is usually spread
by kissing. But you can get it from sneezes and coughs also. Personally, I’d
prefer to get it from kissing.
Doctor Joyce Brothers reports that
before marriage the average American woman has kissed 79 men, which means that
79 men have kissed Doctor Joyce Brothers.
Blackie Crawford had a band called
the Western Cherokees. His singer in that band became much more famous. His
name was Lefty Frizzell and he’s a big favorite here around the Abernathy
Building. Blackie and Lefty wrote this song together and it spent 12 weeks at
#1 on the country charts. Here’s the always punctual Lefty Frizzell, “Always
Late with Your Kisses.”
There’s being late with your kisses and
there’s even the worse experience of being left at the altar. That’s what
happened to Nicole Contos. In 1997 she was due to marry a shipping broker by
the name of Tasos Michael. She was in a packed church in Manhattan and he left
her. He didn’t even show up. But she went on with the wedding by herself. The
wedding cost $65,000 and she wasn’t going to waste it. Her friends rallied
around her, enjoyed the $175-a-plate dinner and afterwards cheered her on when
she danced to the disco hit, “I Will Survive.” Nicole Contos, a resilient
woman.
This is Theme Time Radio Hour. We’re
talking about kissing, which means we’re centering on cupidity and not
stupidity. Lucinda Williams wrote a song all about passionate kisses. Lucinda’s
father was a poet, and a literature professor, and they traveled extensively
when she was a child through Mexico and Chile as well as the American
South. All that travel was good for her,
‘cause she soaked up a lot of culture. A lot of people know this song because
it was a big hit for Mary Chapin Carpenter. A #5 smash. It got Lucinda her
first of three Grammy awards. So, let’s listen to Lucinda’s version from her
1988 album, here’s “Passionate Kisses.”
That was Lucinda Williams,
“Passionate Kisses” here on Theme Time Radio Hour, where we’re reminding you
that a one-minute kiss burns about 26 calories. Deep, passionate kissing burns
up to 600 calories per hour. If anyone listening needs a workout, I’m
available.
Billy Boy Arnold was born in 1935 in
Chicago, Illinois. And like Betty Everett, he recorded for the Vee-Jay record
label. But he had his start playing harmonica with Bo Diddley. After a couple
of records, though, he struck out on his own. You probably know his song, “I
Wish You Would.” But this one is all about kissing at a particular time. Here’s
Billy Boy Arnold, “Kissing at Midnight.” [BBC version]
If you’re kissing at midnight,
better be careful and not do it where the blue laws are in effect. You can find
blue laws in the United States and Canada and they’re meant to protect the
Sabbath as a sacred day. These laws would prohibit breaches in family
discipline, public drunkenness, public displays of affection and excesses in
dress. They’re called “blue laws” because of the blue paper they were
originally printed on.
Let’s move from blue laws to a
purple artist, Minneapolis native, Prince, or as I call him, “The Artist
formerly known as the Artist formerly known as Prince.”
Here’s a song of his that was
recorded by Tom Jones, The Art of Noise, and a whole bunch of other people. But
I’ve always liked the original. It’s a funk record that doesn’t have any bass
on it. Here’s Prince. [BBC version]
That was Prince, and “Kiss.” I
always thought KISS should have recorded a song called, “Prince.” I’ll have to
call Gene Simmons and ask him about that.
One place a lot of people kiss is
under the mistletoe. Well, it's an interesting legend. According to
Scandinavian myth, the Norse god Baldur was the best loved of all the gods.
Frigga was his mother, the goddess of love and beauty. She wanted to make sure
no harm would ever come to her beloved son. She went through the entire world
getting promises from everything that sprang from the four elements that they
would not harm her beloved Baldur.
The evil trickster Loki was able to
find the one thing that could harm Baldur, and that was mistletoe. He made an
arrow from the wood of the mistletoe. To be even crueler, he took the arrow to
Baldur’s blind brother Hodor. Loki guided Hodor’s hand and shot the arrow at
Baldur’s heart. He fell dead, and Frigga's tears changed the red mistletoe
berries to white. But the gods gave mercy on Frigga and Baldur was restored to
life. Frigga was so grateful that she showed no hatred for the offending
mistletoe plant, making it a symbol of love and promising to bestow a kiss upon
anyone who passed beneath it. [BBC version]
I'm sure some of those kisses
happened in the dark.] Here’s Memphis Minnie, one of the great guitarist and
singers, “Kissing in the Dark” . [BBC version]
That was Memphis Minnie, “Kissing in
the Dark,” written by her husband at the time, Ernest Lawlars, who was known as
“Little Son Joe.”
The average person spends 336 hours
of their life kissing. It doesn’t seem like enough.
Another popular “Kiss” was made by
Milton Hershey, a candy maker in Lancaster, Pennsylvania. In 1894 he started
the Hershey Company, and they produce chocolates to this day. In 1907 they
produced a flat-bottomed, cone-shaped candy. One kind of kiss you definitely
want more of is a French Kiss. A lot of people think that the French Kiss
originated in France. Actually, the term became slang in 1923 as a slur to the
French. People thought that the French were overly infatuated with sexual
matters as anyone who knows the complete version of the poem that begins….“The
French, they are a funny race”… can tell you. [kiss sound] Somehow I wish I
didn’t know that.
In France, there’s no such thing as
a “French Kiss.” They probably just call it a “kiss,” just like they call
French Fries “fries.” In French what it’s called “embrasser avec la langue,”
which means literally, “to kiss the tongue.” Or as some prefer to say, “rouler
un pelle,” which means, “to roll the blade.”
Here’s a song out of New Orleans,
kind of a local hit, but didn’t make a lot of noise anywhere else. I always
enjoyed it though, and I thought this would be an opportunity to share it with
you. It’s by a singer named Danny White, this is the closest he ever had to a
hit, and it was in 1963. “Kiss Tomorrow Goodbye.”
[BBC version]The closest thing he
had to another hit was the next year with a cover version of Earl King’s
ballad, “Loan Me a Handkerchief,” an admonitory song to say the least.]
Let's continue our kissing show with
a guy who didn't have a hit, but he had the last word on a hit. I'll explain it
after I play the song. Here’s Huelyn Duvall, “Pucker Paint.” [BBC version]
He never had a hit of his own, but
back in 1958 he was asked to sit in on a recording session. He didn't play
guitar on that record, but he added some "oohs" and "aahs"
to the A-side, a song called "Train to Nowhere". The B-side was an
instrumental, and he didn't play on it at all. However, he did yell the title
out on the end, and sometime every day you can hear Huelyn Duvall yell out
"Tequila" at the end of the Champs record.” [BBC version].
Connie Francis was a very popular
artist who had a very sad life. [BBC version] But that’s not how I choose to
remember her. Let’s remember Connie Francis in happier times with a
light-hearted look at marital infidelity. Here she is: “Lipstick on Your
Collar.”
Her father tried to get her to make
a living playing and teaching the accordion. She was on a competition at age 9
on Arthur Godfrey’s “Talent Scouts.” Even then, Arthur Godfrey could tell how
beautiful her voice was and convinced her to give up the accordion. She recorded
a series of singles that went nowhere. She was on her way to a pre-med
scholarship at New York University. But first, one last recording session,
which included a song that she hated, but that her father wanted her to record.
She sang it quickly, only doing one take. America fell in love with it, and
“Who’s Sorry Now” was the first of a long string of hits. She knew a lot of
different languages, and recorded her songs in Italian, Hebrew, Spanish,
French, German, and Japanese. She starred in the movies in “Where the Boys
Are,” “Looking for Love,” and “When the Boys Meet the Girls.”
She retired for awhile, but in 1974
her third husband convinced her to go back on the stage. She had only done four
performances when she checked into a motel on Long Island. The motel lock was
faulty, and she was raped. Her marriage fell apart. Shortly thereafter she was
bouncing back, but in 1981 her brother was brutally murdered. It was only
during therapy for all these events that she discovered that she was
maniac-depressive and had been addicted to pills for maybe as long as 25 years.
She sued the hotel she got raped in
for negligence and received 2.5 million dollars, which at the time was the
largest personal injury settlement in history. It doesn't seem enough for the amount
of pain she went through. But that’s not how I choose to remember her. Let’s
remember Connie Francis in happier times with a light-hearted look at marital
infidelity. Here she is: “Lipstick on Your Collar.”
That was Connie Francis with a story
of trouble told in color on the collar of your shirt.
You know how people sign letters
with “X”s , that mean little kisses? Well, here’s where that came from.
Hundreds of years ago when clergy and priests wrote letters they would sign
their name, and then they would add a cross. That’s because a cross has many
interpretations. One of the primary meanings is “love.” So it was nice to sign
off a letter with that. ‘Bout three hundred years after that, people who were
writing love letters started adopting the cross symbol as a shorthand for
“love.” But they rotated it ‘bout 45 degrees, so when you take a cross and turn
it 45 degrees you get an “X” and they say this rotation was to imitate the way
you turn your head when giving a kiss. So the “X” at the end of a letter became
the sign of a kiss.
[Radio Eins version] Now, it seems
like I know a lot about kissing.] Here’s Don and Phil with a song written by
Don. It’s from 1959 on the Cadence record label, and if you have to ask, “Don
and Phil who?” you’re not a regular listener of this show. Here are the Everly
Brothers, “Til I Kissed You.”
The tradition of lifting the veil
and kissing the bride is a combination of two old customs. Lifting the veil was
a part of the ancient wedding ritual. See, marriages used to be arranged by
family members. The newlyweds quite often had never met. These arranged
marriages had large sums of money riding on them, and sometimes there was the
fear that if the groom didn't like the bride’s looks he might refuse to marry
her and her family would lose a great dowry. This is why the father of the
bride gave the broad away at the wedding ceremony, only after they lifted her
veil would he see her face for the first time.
In ancient Rome, couples became
betrothed by kissing passionately in front of a group of people and that’s why
we have kissing at the end of the modern wedding ceremony.
You’re listening to Theme Time Radio
Hour, your home for themes, dreams, and smooching schemes. So pucker up and
listen.
If you got to kiss, people do it
different ways in different places. For example, in the Middle East, cheek
kissing between a male and female is usually considered inappropriate, unless
it’s within the same family. Some cultures in the Himalayas don’t kiss at all.
They know that saliva has a lot of bacteria and I guess they’re afraid of mono.
Some cultures in Africa don’t kiss on the mouth because they consider it a
portal to the soul. So someone that kisses you could take your soul.
And in the South Pacific’s Trobriand
Islands kissing is highly erotic and very aggressive. It begins with gentle
hugging and kissing, then progresses until you’re biting each other’s lips and
bleeding commences. It concludes with biting off each other’s eyelash tips.
I know it sounds weird, but it’s
pretty good! Trust me.
Some kisses can get you into
trouble, but just as easily you can use them to make up. Here are The Falcons,
with a very young Wilson Pickett. Right after he recorded this record with the
Falcons, he went off on a solo career. From 1963, on the Atlantic label, “Let’s
Kiss and Make Up,” The Falcons.
That was The Falcons, here on Theme
Time Radio Hour, “Let’s Kiss and Make Up,” not to be confused with KISS and
makeup.
A second email, I got one here,
that’s perfect for today’s show. Comes to us from Lawrence P. Boar from
Sheepshead Bay, Long Island. Lawrence writes,
“Dear Theme Time Gang. I heard
through the grapevine that you’re doing a show about kissing. I could sure use
your help. My girlfriend says I’m a bad kisser. We get along great, but I’m
afraid this one problem is going to ruin the whole thing. Please help! Anxious
in Sheepshead Bay, Long Island, Lawrence P. More.”
Well, Lawrence, kissing is an
important part of a relationship, and it’s one of those things that you have to
be relaxed to do. So the fact that you’re getting anxious about it isn’t
helping you one bit. However, I can give you a few tips. Armed with this
knowledge, you’ll feel a little more confident and be able to set things right.
First of all, make sure your lips are moist. Run your tongue over your lips
once before you kiss her. No one likes to kiss sandpaper. Stand close to your
partner, you don’t want her to have her reach too far. Tilt your head slightly
to one side. Close your eyes just before your lips meet. Just close them! Some
people like to leave their eyes open during a kiss, but until you understand
your partner’s preference, better to play it safe and close your eyes.
Open your lips slightly, not like
you’re going to swallow her whole head, just a little bit and hold your breath,
breathe through your nose. Press your partner’s lips gently, move your lips in
a slow, circular motion. Be gentle but firm. And finally, and I can’t stress
this enough, have a pocketful of mints. There’s no underestimating the
attractiveness of good breath.
Good luck and happy kissing. I hope
it won’t be until long that your hear your girl say, “Baby, let me kiss you
just one more time.”
Hey, that sounds like a song cue!
Why, golly, it is. Here’s Roy Head and The Traits.
That was Roy Head and The Traits and
“Baby Let Me Kiss You Just One More Time.” Everybody talks about how great cow
bells sound on records, but they forget how good a tambourine can sound. That
record will remind you. Roy was only 16 years old when he recorded that. It was
his first record and was in the Top Ten locally, and by “locally” I mean Three
Rivers, Texas, which is where Roy is from.
You all know Roy from his big hit
“Treat Her Right,” and he’s still out there performing. I saw him two years ago
at the Ponderosa Stomp and they tore the place up.
We’re getting up near the end of the
show, and almost time for a kiss goodnight.
Well, we’ve got time for a couple
more songs. Here’s a song written by a guy whose got the best hair in show business.
If you don’t believe me , Google him right now. The writer’s name was Wayne
Cochran. We’ll tell you about him on the other side of the song. But first I
want to tell you about the guy who sang it.
J. Frank Wilson had only one hit. He
was the vocalist with a band called “The Cavaliers,” who played around local
Texas clubs. This record came out and became a huge hit. Unfortunately J. Frank
Wilson didn’t know how to deal with it. He thought he was a superstar. He
filled himself up with sex and booze and stayed up night and day. It was so bad
that the band left him behind after just a few shows. He never had another hit.
He died before his 50th birthday, an alcoholic, alone in a nursing home.
The song, however, had a longer
life. Pearl Jam recorded it in 1999, and it became their biggest chart hit,
going all the way up to #2. One of the saddest songs in pop history.
That was J. Frank Wilson, “Last
Kiss,” written by the man with the platinum pompadour, Wayne Cochran.
Let me tell you how the song was
written. On December 22nd, 1962 16-year-old Janet Clark was out on a date. She
was with a group of friends in a Chevrolet on Highway 341. The car collided
with a trailer truck. Janet, the driver, and another teenager were killed. Two
other kids in the car had serious injuries. It was a terribly gory accident. So
bad, in fact, that a local gas station attendant who helped in recovery of the
bodies did not recognize his own daughter. Fifteen miles away, Wayne Cochran
was paying $20 a month rent for an old shack. He saw many accidents on that
stretch of highway, so many that he started writing a song about them. But he
could never finish it. The death of Janet Clark was a horrible inspiration for
him to finish that song. He called it “Last Kiss.”
Wayne went on to have a career as a
dynamic rhythm and blues performer, but eventually he left it all behind to
join the clergy, preaching in Miami.
Well, we can’t end the show with
such a sad kiss, so let’s listen to one of the masters, the fountainhead from
which all music flows. Louie Armstrong and a song that was a signature piece of
his live performances in the later period of his life. This is a version he
recorded in 1951 with “A Kiss to Build a Dream On.”
That was Louie Armstrong, from the
movie, “The Strip,” “A Kiss to Build a Dream On.” If that song sounds familiar,
maybe you recognize it from the movie “Sleepless in Seattle.”
Before we go, I want to share some
words with you written by Robert Burns. It’s called “[Ode] to a Kiss”
Humid seal
of soft affections,
Tend'rest
pledge of future bliss,
Dearest tie
of young connections,
Love's
first snow-drop, virgin kiss.
Speaking
silence, dumb confession,
Passion's
birth, and infants' play,
Dove-like
fondness, chaste concession,
Glowing
dawn of brighter day.
Sorrowing
joy, adieu's last action,
Ling'ring
lips, -- no more to join!
What words
can ever speak affection
Thrilling
and sincere as thine!
Robert
Burns, kissable poet.
Thanks for
listening and I’m going to leave you with the words of Albert Einstein. Albert
said, “Any man who can drive safely while kissing a pretty girl is simply not
giving the kiss the attention it deserves.” I agree with him totally. [Radio
Eins version: We’ll see you next week.] Go kiss someone you love.
References
Theme
Time Radio Hour - The Annotated "Kiss" Show Transcript -- Episode 101
Theme Time Radio Hour
Archive. Episode 101 “Kiss”
Notes
The session location is fictional. The actual
recording location and date for Bob Dylan’s contribution are not known.
The session date here is not the original broadcast date.
“A waitress returns home, happy to
take her shoes off.” Ellen Barkin, Theme Time’s Lady in Red, says this line in
another TTRH intro, episode 40, “Laughter.” It appears that the Lady in Red’s
intros are compilations, as there are several examples during the show’s run of
one of her lines being re-used. While the Lady in Red’s intros sometimes had
something to do with the show’s theme, there are many intros that don’t, and
even one or two shows where there’s no intro at all.
Comment by Fred Bals:
The 101st episode of Theme Time Radio Hour,
“Kiss” also known as “The Kiss Show” and “Kissing,” was originally released on
February 11, 2015 by Berlin radio stationRadio Eins as a special episode of its
“Friendly Takeover” series. Like TTRH, the “Friendly Takeover” show features
musicians acting as deejay and playing cuts that they’ve selected.
Advertised by Radio Eins as
previously “unknown” and “never broadcasted,” “Kiss” seems to have been
recorded during TTRH’s third season, which ran from late 2008 to April 2009.
Why "Kiss" never aired until six or seven years later is unknown.
Perhaps the TTRH team was unhappy with the sound quality. Much of Our Host’s
commentary sounds as if it was recorded in a cavern, especially in the early
half of the show. Maybe the grim stories about Connie Francis and J. Frank
Wilson gave the producers second thoughts about airing a dark show with the
light-hearted theme of “Kiss.”
If either of those are right, it
leaves open the question as to why the producers didn’t go back and re-record
or re-edit “Kiss” and then release it.
So, maybe the producers recorded
back-up episodes in case of emergency and the need to replace a scheduled show?
Maybe Season 3 was originally going to run longer than the 25 episodes that
were aired? Maybe they were planning a fourth season?
We’ll probably never know.
How the show ended up with Radio
Eins in 2015 is another question. Possibly “Friendly Takeover” solicited Mr. D.’s
office to have him do a show a la the old TTRH and in due course the answer
came back, “No, but we do have this unaired episode of the original TTRH that
you can use. Interested?”
Shortly after Radio Eins aired
“Kiss” the show was broadcast on Sirius XM and later on the BBC, which leads
into the curious problem of the different “Kisses.”
There are at least two versions of
“Kiss” online: the Radio Eins “original,” and a version broadcast by the BBC.
The most glaring differences are that the Radio Eins version drops a full
segment – Billy Boy Arnold and “Kissing at Midnight” – while the BBC version
drastically edits Our Host’s commentary on Connie Francis and drops the closing
credits. There are several other differences between the two which I note in the
transcription.
Both versions were probably edited
for time reasons. “Friendly Takeover” is normally a 55-minute show, and the
producers needed to make cuts to fit the show within the time they had. The BBC
“Kiss” episode includes a news segment, as well as an ID and promo, all of
which eat into the show’s allotted time.
The BBC editor appears to have been
more of a fan of TTRH than his Radio Eins counterpart, making the Solomonic
choice to keep “Kissing at Midnight” while losing most of the overly long and
very depressing Connie Francis commentary as well as editing out Our Host’s
“see you next week.” Sadly, there has been no “next week,” at least not yet.
Of the two, the BBC version is
probably the “better” version, including intros and outros for Prince’s “Kiss”
and Huelyn Duvall’s “Pucker Paint” as well as a segment on mistletoe missing in
the Radio Eins version. Yet, completists will want both, of course, if for no
other reason than for Our Host’s full commentary on Connie Francis, as bleak as
it is.
Previous episode: Goodbye
Stereo radio recording, 60 minutes.
Session info updated 14 August 2018.
Forum di Assago |
|
|
Assago |
|
|
|
15 April 2009 |
1. |
The Wicked
Messenger |
2. |
Just Like Tom Thumb's
Blues |
3. |
Just Like A
Woman |
4. |
Rollin' And
Tumblin' |
5. |
A Hard Rain's
A-Gonna Fall |
6. |
High Water (For
Charley Patton) |
7. |
Sugar Baby |
8. |
Stuck Inside Of
|
9. |
Blind Willie
McTell |
10. |
Desolation Row |
11. |
Honest With Me |
12. |
Ballad Of A
Thin Man |
13. |
When The Deal
Goes Down |
14. |
Thunder On The
Mountain |
15. |
Like A Rolling
Stone |
|
— |
16. |
All Along The
Watchtower |
17. |
Spirit On The
Water |
18. |
Blowin' In The
Wind |
Concert # 2124
of The Never-Ending Tour. Concert # 18 of the 2009 Europe Spring Tour. 2009
concert # 18.
Concert #
395 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel
guitar), Tony Garnier (bass), George Recile (drums & percussion).
1, 3-18 Bob Dylan (keyboard).
2 Bob Dylan (guitar).
3, 6, 8, 12, 13, 17, 18 Bob Dylan (harmonica).
1, 5, 10 Donnie Herron (mandolin).
6, 9 Donnie Herron (banjo).
18 Donnie Herron (violin).
Notes.
Other Bob Dylan concerts in Milan, Italy:
Stadio
San Siro |
|
Arena
Civica di Milano |
|
PalaTrussardi
di Milano |
|
Arena di
Milano |
|
PalaTrussardi
di Milano |
|
Parque
Acuatico |
|
Palavobis |
|
Forum di
Assago, Assago |
|
Forum di
Assago, Assago |
|
Forum di
Assago, Assago |
|
Forum di
Assago, Assago |
|
Alcatraz |
|
Forum di
Assago, Assago |
|
Teatro
degli Arcimboldi |
|
Teatro
degli Arcimboldi |
|
Teatro
degli Arcimboldi |
|
Teatro
degli Arcimboldi |
|
Teatro
degli Arcimboldi |
|
Teatro
degli Arcimboldi |
11 new songs (61%) compared to previous
concert. No new songs for this tour.
Stereo audience recording, 120 minutes.
By courtesy of Michele
Ulisse Lipparini.
Session info updated 27 July 2020.
[TOP]
PalaLottomatica |
|
|
|
|
17 April 2009 |
1. |
Cat's In The
Well |
2. |
Don't Think
Twice, It's All Right |
3. |
Things Have
Changed |
4. |
Boots Of
Spanish Leather |
5. |
The Levee's
Gonna Break |
6. |
Sugar Baby |
7. |
Tweedle Dee
& Tweedle Dum |
8. |
Make You Feel
My Love |
9. |
It's Alright, Ma
(I'm Only Bleeding) |
10. |
Beyond The
Horizon |
11. |
Highway 61
Revisited |
12. |
Love Sick |
13. |
Thunder On The
Mountain |
14. |
Return To Me (C. Lombardo/D.
DiMinno) |
15. |
Like A Rolling
Stone |
|
— |
16. |
All Along The
Watchtower |
17. |
Spirit On The
Water |
18. |
Blowin' In The
Wind |
Concert #
2125 of The Never-Ending Tour. Concert # 19 of the 2009 Europe Spring Tour.
2009 concert # 19.
Concert #
396 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel
guitar), Tony Garnier (bass), George Recile (drums & percussion).
1, 2, 5, 6, 8-18 Bob Dylan (keyboard).
3, 4 Bob Dylan (guitar).
2, 7, 8, 10, 14, 17, 18 Bob Dylan (harmonica).
1, 18 Donnie Herron (violin).
5, 12 Donnie Herron (mandolin).
9 Donnie Herron (banjo).
14 Donnie Herron (viola).
Notes.
First live
performance of Return To Me, a song
recorded at Sony Music Studios,
Other Bob Dylan concerts in Rome, Italy:
Roma
Palaeur |
|
Roma
Palaeur |
|
Gradinate |
|
Roma
Palaeur |
|
La
Scalinata |
|
Roma Palaeur |
|
Cavea dell'Auditorium Parco della Musica |
|
PalaLottomatica |
|
Atlantico |
|
Atlantico |
|
Terme di Caracalla |
|
Auditorium Parco della Musica |
|
Auditorium Parco della Musica |
|
Auditorium Parco della Musica |
12 new songs (66%) compared to previous
concert. 1 new song for this tour.
Stereo audience recording, 115 minutes.
By courtesy of Michele
Ulisse Lipparini.
Session info updated 27 July 2020.
[TOP]
Nelson Mandela Forum |
|
|
|
|
18 April 2009 |
1. |
Maggie's Farm |
2. |
Mr. Tambourine
Man |
3. |
Most Likely You
Go Your Way (And I'll Go Mine) |
4. |
Man In The Long
Black Coat |
5. |
Rollin' And
Tumblin' |
6. |
The Lonesome
Death Of Hattie Carroll |
7. |
'Til I Fell In
Love With You |
8. |
Workingman's
Blues #2 |
9. |
Highway 61
Revisited |
10. |
Ballad Of
Hollis Brown |
11. |
|
12. |
Summer Days |
13. |
Return To Me (C. Lombardo/D.
DiMinno) |
14. |
Thunder On The
Mountain |
15. |
Like A Rolling
Stone |
|
— |
16. |
All Along The
Watchtower |
17. |
Spirit On The
Water |
18. |
Blowin' In The
Wind |
Concert #
2126 of The Never-Ending Tour. Concert # 20 of the 2009 Europe Spring Tour.
2009 concert # 20.
Concert #
397 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel
guitar), Tony Garnier (bass), George Recile (drums & percussion).
4 Bob Dylan (guitar).
1-3, 5, 6, 8-18 Bob Dylan (keyboard).
3, 6, 7, 8, 12, 13, 17, 18 Bob Dylan (harmonica).
5, 6 Donnie Herron (mandolin).
18 Donnie Herron (violin).
Notes.
Other Bob Dylan concert in Florence, Italy:
Palasport |
|
Nelson
Mandela Forum |
|
Nelson
Mandela Forum |
11 new songs (61%) compared to previous
concert. No new songs for this tour.
Stereo audience recording, 110 minutes.
By courtesy of Michele
Ulisse Lipparini.
Session info updated 17 August 2020.
[TOP]
|
|
|
|
|
20 April 2009 |
1. |
Watching The
River Flow |
2. |
It's All Over
Now, Baby Blue |
3. |
Just Like Tom
Thumb's Blues |
4. |
Stuck Inside Of
|
5. |
Million Miles |
6. |
Tough Mama |
7. |
Tryin' To Get
To Heaven |
8. |
The Levee's
Gonna Break |
9. |
When The Deal
Goes Down |
10. |
It's Alright,
Ma (I'm Only Bleeding) |
11. |
Beyond The
Horizon |
12. |
Ballad Of A
Thin Man |
13. |
Thunder On The
Mountain |
14. |
Like A Rolling
Stone |
|
— |
15. |
All Along The
Watchtower |
16. |
Spirit On The
Water |
17. |
Blowin' In The
Wind |
Concert #
2127 of The Never-Ending Tour. Concert # 21 of the 2009 Europe Spring Tour.
2009 concert # 21.
Concert #
398 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel
guitar), Tony Garnier (bass), George Recile (drums & percussion).
3 Bob Dylan (guitar).
1, 2, 4-17 Bob Dylan (keyboard).
2, 4, 5, 9, 12, 17, 18 Bob Dylan (harmonica).
8 Donnie Herron (mandolin).
10 Donnie Herron (banjo).
17 Donnie Herron (violin).
Notes.
Other Bob Dylan concerts in Geneva, Switzerland:
|
|
Geneva Arena |
|
Geneva Arena |
12 new songs (70%) compared to previous
concert. 1 new song for this tour.
Stereo audience recording, 115 minutes.
Session info updated 2 November 2013.
[TOP]
Zénith |
|
|
|
|
21 April 2009 |
1. |
Cat's In The
Well |
2. |
Masters Of War |
3. |
It's All Over
Now, Baby Blue |
4. |
Lonesome Day
Blues |
5. |
Under The Red
Sky |
6. |
Rollin' And
Tumblin' |
7. |
Beyond The
Horizon |
8. |
|
9. |
Tweedle Dee
& Tweedle Dum |
10. |
This Wheel's On
Fire (Bob Dylan/Rick Danko) |
11. |
Highway 61
Revisited |
12. |
Just Like A
Woman |
13. |
Thunder On The
Mountain |
14. |
Like A Rolling
Stone |
|
— |
15. |
All Along The
Watchtower |
16. |
Spirit On The
Water |
17. |
Blowin' In The
Wind |
Concert #
2128 of The Never-Ending Tour. Concert # 22 of the 2009 Europe Spring Tour.
2009 concert # 22.
Concert #
399 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel
guitar), Tony Garnier (bass), George Recile (drums & percussion).
10 Bob Dylan (guitar).
1-9, 11-17 Bob Dylan (keyboard).
3, 9, 16, 17 Bob Dylan (harmonica).
1, 17 Donnie Herron (violin).
6, 8 Donnie Herron (mandolin).
Notes.
Previous Bob Dylan concert in
Hall
Rhenus |
10 new songs (58%) compared to previous
concert. 2 new songs for this tour.
Stereo audience recording, 110 minutes.
Session info updated 8 May 2009.
[TOP]
|
|
|
|
|
22 April 2009 |
1. |
The Wicked
Messenger |
2. |
It's All Over
Now, Baby Blue |
3. |
Man In The Long
Black Coat |
4. |
Stuck Inside Of
|
5. |
Blind Willie
McTell |
6. |
Desolation Row |
7. |
Honest With Me |
8. |
Sugar Baby |
9. |
Highway 61
Revisited |
10. |
Ballad Of A
Thin Man |
11. |
I Don't Believe
You (She Acts Like We Never Have Met) |
12. |
Ain't Talkin' |
13. |
Thunder On The
Mountain |
14. |
Like A Rolling
Stone |
|
— |
15. |
All Along The
Watchtower |
16. |
Spirit On The
Water |
17. |
Blowin' In The
Wind |
Concert #
2129 of The Never-Ending Tour. Concert # 23 of the 2009 Europe Spring Tour.
2009 concert # 23.
Concert #
400 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel
guitar), Tony Garnier (bass), George Recile (drums & percussion).
3 Bob Dylan (guitar).
1, 2, 4-17 Bob Dylan (keyboard).
2, 6, 10, 11, 16, 17 Bob Dylan (harmonica).
1, 6 Donnie Herron (mandolin).
5 Donnie Herron (banjo).
12 Donnie Herron (viola).
17 Donnie Herron (violin).
Notes.
Other Bob Dylan concerts in Brussels, Belgium:
Stade de Schaerbeek Stadion |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Vorst
Nationaal |
10 new songs (58%) compared to previous
concert. No new songs for this tour.
Stereo audience recording, 115 minutes.
By courtesy of Michele
Ulisse Lipparini.
Session info updated 17 August 2020.
[TOP]
|
|
|
|
|
24 April 2009 |
1. |
Cat's In The
Well |
2. |
It's All Over
Now, Baby Blue |
3. |
Things Have
Changed |
4. |
Boots Of
Spanish Leather |
5. |
The Levee's
Gonna Break |
6. |
Sugar Baby |
7. |
Tweedle Dee
& Tweedle Dum |
8. |
|
9. |
It's Alright,
Ma (I'm Only Bleeding) |
10. |
Make You Feel
My Love |
11. |
Highway 61
Revisited |
12. |
Love Sick |
13. |
Thunder On The
Mountain |
14. |
Like A Rolling
Stone |
|
— |
15. |
All Along The
Watchtower |
16. |
Spirit On The
Water |
17. |
Blowin' In The
Wind |
Concert #
2130 of The Never-Ending Tour. Concert # 24 of the 2009 Europe Spring Tour.
2009 concert # 24.
Concert #
401 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel
guitar), Tony Garnier (bass), George Recile (drums & percussion).
4 Bob Dylan (guitar).
1-3, 5, 6, 8-17 Bob Dylan (keyboard).
2, 4, 7, 10, 16, 17 Bob Dylan (harmonica).
1, 3, 17 Donnie Herron (violin).
5, 12 Donnie Herron (mandolin).
Notes.
Previous Bob Dylan concerts in
Gaumont
Theatre |
|
The Arena |
|
|
|
|
|
Hallam FM
Arena |
9 new songs (52%) compared to previous concert.
No new songs for this tour.
Stereo audience recording, 105 minutes.
Session info updated 8 May 2009.
[TOP]
O2 Arena |
|
|
|
|
25 April 2009 |
1. |
Maggie's Farm |
2. |
The Times They
Are A-Changin' |
3. |
Things Have
Changed |
4. |
Chimes Of
Freedom |
5. |
Rollin' And
Tumblin' |
6. |
The Lonesome
Death Of Hattie Carroll |
7. |
'Til I Fell In
Love With You |
8. |
Workingman's
Blues #2 |
9. |
Highway 61
Revisited |
10. |
Ballad Of
Hollis Brown |
11. |
|
12. |
Honest With Me |
13. |
When The Deal
Goes Down |
14. |
Thunder On The
Mountain |
15. |
Like A Rolling
Stone |
|
— |
16. |
All Along The
Watchtower |
17. |
Spirit On The
Water |
18. |
Blowin' In The
Wind |
Concert #
2131 of The Never-Ending Tour. Concert # 25 of the 2009 Europe Spring Tour.
2009 concert # 25.
Concert #
402 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel
guitar), Tony Garnier (bass), George Recile (drums & percussion).
1-6, 8-18 Bob Dylan (keyboard).
2, 6, 7, 17, 18 Bob Dylan (harmonica).
3, 18 Donnie Herron (violin).
5, 6 Donnie Herron (mandolin).
Notes.
Bob Dylan concerts in London, England.
10 new songs (55%) compared to previous
concert. No new songs for this tour.
Stereo audience recording, 115 minutes.
1-16, 18 soundboard recording, 110
minutes.
Session info updated 23 November 2011.
[TOP]
Roundhouse |
|
|
|
|
26 April 2009 |
1. |
Leopard-Skin
Pill-Box Hat |
2. |
Don't Think
Twice, It's All Right |
3. |
Tangled Up In
Blue |
4. |
Million Miles |
5. |
Rollin' And
Tumblin' |
6. |
Tryin' To Get
To Heaven |
7. |
Tweedle Dee
& Tweedle Dum |
8. |
Sugar Baby |
9. |
High Water (For
Charley Patton) |
10. |
I Don't Believe
You (She Acts Like We Never Have Met) |
11. |
|
12. |
Highway 61
Revisited |
13. |
Ain't Talkin' |
14. |
Summer Days |
15. |
Like A Rolling
Stone |
|
— |
16. |
All Along The
Watchtower |
17. |
Spirit On The
Water |
18. |
Blowin' In The
Wind |
Concert # 2132
of The Never-Ending Tour. Concert # 26 of the 2009 Europe Spring Tour. 2009
concert # 26.
Concert #
403 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel
guitar), Tony Garnier (bass), George Recile (drums & percussion).
1-6, 8-18 Bob Dylan (keyboard).
2, 3, 11, 17, 18 Bob Dylan (harmonica).
5 Donnie Herron (mandolin).
9 Donnie Herron (banjo).
13 Donnie Herron (viola).
18 Donnie Herron (violin).
Notes.
Bob Dylan concerts in London, England.
11 new songs (61%) compared to previous
concert. No new songs for this tour.
Stereo audience recording, 120 minutes.
Session info updated 23 November 2011.
[TOP]
|
|
|
|
|
28 April 2009 |
1. |
Rainy Day Women
# 12 & 35 |
2. |
Mr. Tambourine
Man |
3. |
Lonesome Day
Blues |
4. |
Under The Red
Sky |
5. |
Rollin' And
Tumblin' |
6. |
|
7. |
Stuck Inside Of
|
8. |
Tangled Up In
Blue |
9. |
Tweedle Dee
& Tweedle Dum |
10. |
Masters Of War |
11. |
Highway 61
Revisited |
12. |
Nettie Moore |
13. |
Thunder On The
Mountain |
14. |
Like A Rolling
Stone |
|
— |
15. |
All Along The
Watchtower |
16. |
Spirit On The
Water |
17. |
Blowin' In The
Wind |
Concert # 2133
of The Never-Ending Tour. Concert # 27 of the 2009 Europe Spring Tour. 2009
concert # 27.
Concert #
404 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel
guitar), Tony Garnier (bass), George Recile (drums & percussion).
1-6, 8-17 Bob Dylan (keyboard).
2, 4, 7, 16, 17 Bob Dylan (harmonica).
5 Donnie Herron (mandolin).
6 Donnie Herron (banjo).
12 Donnie Herron (viola).
17 Donnie Herron (violin).
Notes.
Other Bob Dylan concerts in Cardiff, Wales:
Capitol
Theatre, |
|
|
|
|
|
|
|
|
|
|
|
|
|
Motorpoint Arena |
|
Motorpoint Arena |
|
Motorpoint Arena |
9 new songs (52%) compared to previous concert.
No new songs for this tour.
Stereo audience recording, 115 minutes.
Session info updated 13 May 2017.
[TOP]
National Indoor Arena |
|
|
|
|
29 April 2009 |
1. |
The Wicked
Messenger |
2. |
It Ain't Me,
Babe |
3. |
High Water (For
Charley Patton) |
4. |
Stuck Inside Of
|
5. |
Man In The Long
Black Coat |
6. |
Desolation Row |
7. |
Honest With Me |
8. |
Workingman's
Blues #2 |
9. |
Highway 61
Revisited |
10. |
Ballad Of A
Thin Man |
11. |
Most Likely You
Go Your Way (And I'll Go Mine) |
12. |
Ain't Talkin' |
13. |
Thunder On The
Mountain |
14. |
Like A Rolling
Stone |
|
— |
15. |
All Along The
Watchtower |
16. |
Spirit On The
Water |
17. |
Blowin' In The
Wind |
Concert #
2134 of The Never-Ending Tour. Concert # 28 of the 2009 Europe Spring Tour.
2009 concert # 28.
Concert #
405 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel
guitar), Tony Garnier (bass), George Recile (drums & percussion).
2 Bob Dylan (guitar).
1, 3-17 Bob Dylan (keyboard).
4, 6, 10, 16, 17 Bob Dylan (harmonica).
1, 6 Donnie Herron (mandolin).
3 Donnie Herron (banjo).
13 Donnie Herron (viola).
17 Donnie Herron (violin).
Notes.
Previous Bob Dylan concerts in
Odeon
Theatre |
|
International
Arena, |
|
International
Arena, |
|
International
Arena, |
|
International
Arena, |
|
International
Arena, |
|
|
|
Aston Villa Leisure Centre |
|
|
|
|
|
|
|
International
Arena, |
|
|
|
National
Indoor Arena |
10 new songs (58%) compared to previous
concert. 1 new song for this tour.
Stereo audience recording, 115 minutes.
Session info updated 8 May 2009.
[TOP]
Echo Arena |
|
|
|
|
1 May 2009 |
1. |
Watching The River
Flow |
2. |
Don't Think
Twice, It's All Right |
3. |
Things Have
Changed |
4. |
Boots Of
Spanish Leather |
5. |
The Levee's
Gonna Break |
6. |
Sugar Baby |
7. |
Tweedle Dee
& Tweedle Dum |
8. |
|
9. |
It's Alright,
Ma (I'm Only Bleeding) |
10. |
Just Like A
Woman |
11. |
Highway 61
Revisited |
12. |
Something (George
Harrison) |
13. |
Thunder On The
Mountain |
14. |
Like A Rolling
Stone |
|
— |
15. |
All Along The
Watchtower |
16. |
Spirit On The
Water |
17. |
Blowin' In The
Wind |
Concert # 2135
of The Never-Ending Tour. Concert # 29 of the 2009 Europe Spring Tour. 2009
concert # 29.
Concert #
406 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel
guitar), Tony Garnier (bass), George Recile (drums & percussion).
4 Bob Dylan (guitar).
1-3, 5-17 Bob Dylan (keyboard).
2, 8, 16,17 Donnie Herron (violin).
5 Donnie Herron (mandolin).
9 Donnie Herron (banjo).
Notes.
Second live performance of Something, the first being in Madison Square
Garden, New York City 13 November 2002.
Other Bob Dylan concerts in Liverpool, England:
Odeon |
|
Empire |
|
Empire |
|
King's
Dock |
|
Echo Arena |
11 new songs (64%) compared to previous
concert. 1 new song for this tour.
Stereo audience recording, 105 minutes.
Session info updated 13 May 2017.
[TOP]
Hall 4 |
|
|
Scottish Exhibition And |
|
|
|
2 May 2009 |
1. |
Maggie's Farm |
2. |
Don't Think
Twice, It's All Right |
3. |
'Til I Fell In
Love With You |
4. |
The Lonesome
Death Of Hattie Carroll |
5. |
The Levee's
Gonna Break |
6. |
Workingman's
Blues #2 |
7. |
Ballad Of
Hollis Brown |
8. |
Visions Of
Johanna |
9. |
Honest With Me |
10. |
Every Grain Of
Sand |
11. |
Highway 61
Revisited |
12. |
Ain't Talkin' |
13. |
Thunder On The
Mountain |
14. |
Like A Rolling
Stone |
|
— |
15. |
All Along The
Watchtower |
16. |
Spirit On The
Water |
17. |
Blowin' In The
Wind |
Concert #
2136 of The Never-Ending Tour. Concert # 30 of the 2009 Europe Spring Tour.
2009 concert # 30.
Concert #
407 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel
guitar), Tony Garnier (bass), George Recile (drums & percussion).
3 Bob Dylan (guitar).
1, 4-17 Bob Dylan (keyboard).
2, 4, 6, 8, 10, 16, 17 Bob Dylan (harmonica).
5, 8, 9 Donnie Herron (mandolin).
12 Donnie Herron (viola).
17 Donnie Herron (violin).
Notes.
Other Bob Dylan concerts in Glasgow, Scotland:
Odeon |
|
Scottish Exhibition And |
|
Hall 3, Scottish Exhibition And |
|
Hall 3, Scottish Exhibition And |
|
Hall 3, Scottish Exhibition And |
|
Scottish Exhibition And |
|
Scottish Exhibition And |
|
Hall 4, Scottish Exhibition And |
|
Barrowland |
|
Scottish Exhibition And |
|
Scottish Exhibition And |
|
Braehead Arena |
|
Braehead Arena |
|
Clyde Auditorium |
|
Clyde Auditorium |
|
Clyde Auditorium |
|
Clyde Auditorium |
9 new songs (52%) compared to previous concert.
No new songs for this tour.
Stereo audience recording, 120 minutes.
Session info updated 13 May 2017.
[TOP]
|
|
|
|
|
3 May 2009 |
1. |
Leopard-Skin
Pill-Box Hat |
2. |
Lay Lady Lay |
3. |
Tangled Up In
Blue |
4. |
When The Deal
Goes Down |
5. |
Rollin' And
Tumblin' |
6. |
Tryin' To Get
To Heaven |
7. |
Stuck Inside Of
|
8. |
Sugar Baby |
9. |
High Water (For
Charley Patton) |
10. |
I Don't Believe
You (She Acts Like We Never Have Met) |
11. |
|
12. |
Highway 61
Revisited |
13. |
Ain't Talkin' |
14. |
Summer Days |
15. |
Like A Rolling
Stone |
|
— |
16. |
All Along The
Watchtower |
17. |
Just Like A
Woman |
18. |
Blowin' In The
Wind |
Concert #
2137 of The Never-Ending Tour. Concert # 31 of the 2009 Europe Spring Tour.
2009 concert # 31.
Concert #
408 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel
guitar), Tony Garnier (bass), George Recile (drums & percussion).
2, 9, 10, 17 Bob Dylan (guitar).
1, 3-8, 11-16, 18 Bob Dylan (keyboard).
3, 6, 18 Bob Dylan (harmonica).
5 Donnie Herron (mandolin).
13 Donnie Herron (viola).
18 Donnie Herron (violin).
Notes.
Previous Bob Dylan concerts in
ABC
Theatre |
|
|
|
|
13 new songs (72%) compared to previous
concert. No new songs for this tour.
Stereo audience recording, 120 minutes.
Session info updated 6 October 2009.
[TOP]
The O2 |
|
|
|
|
5 May 2009 |
1. |
Leopard-Skin
Pill-Box Hat |
2. |
Don't Think
Twice, It's All Right |
3. |
Lonesome Day
Blues |
4. |
Just Like A
Woman |
5. |
Rollin' And
Tumblin' |
6. |
|
7. |
Stuck Inside Of
|
8. |
Under The Red
Sky |
9. |
Honest With Me |
10. |
Masters Of War |
11. |
Highway 61
Revisited |
12. |
Ain't Talkin' |
13. |
Thunder On The
Mountain |
14. |
Like A Rolling
Stone |
|
— |
15. |
All Along The
Watchtower |
16. |
If You Ever Go
To |
17. |
Blowin' In The
Wind |
Concert #
2138 of The Never-Ending Tour. Concert # 32 of the 2009 Europe Spring Tour.
2009 concert # 32.
Concert #
409 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel
guitar), Tony Garnier (bass), George Recile (drums & percussion).
2, 8 Bob Dylan (guitar).
1, 3-7, 9-16 Bob Dylan (keyboard).
4, 7, 17 Bob Dylan (harmonica).
5 Donnie Herron (mandolin).
6 Donnie Herron (banjo).
12 Donnie Herron (viola).
17 Donnie Herron (violin).
Notes
First live performance of If You Ever Go To Houston. Also the first song from Together Through Life to be played
live.
Other Bob Dylan concerts in
Adelphi
Theatre |
|
R.D.S. |
|
R.D.S. |
|
The Point
Depot |
|
The Point
Depot |
|
The Point
Depot |
|
The Point
Depot |
|
Vicar
Street |
|
The Point
Depot |
|
The Point
Depot |
|
The Point
Depot |
|
The Point
Depot |
|
The O2 |
|
The O2 |
|
The O2 |
|
3Arena |
8 new songs (47%) compared to previous concert.
1 new song for this tour.
Stereo audience recording, 115 minutes.
By courtesy of Michele
Ulisse Lipparini.
Session info updated 27 July 2020.
[TOP]
The O2 |
|
|
|
|
6 May 2009 |
1. |
The Wicked
Messenger |
2. |
Girl From The |
3. |
Man In The Long
Black Coat |
4. |
Stuck Inside Of
|
5. |
Blind Willie
McTell |
6. |
Desolation Row |
7. |
It's Alright,
Ma (I'm Only Bleeding) |
8. |
|
9. |
Highway 61
Revisited |
10. |
Ballad Of A
Thin Man |
11. |
I Don't Believe
You (She Acts Like We Never Have Met) |
12. |
Ain't Talkin' |
13. |
Summer Days |
14. |
Like A Rolling
Stone |
|
— |
15. |
All Along The
Watchtower |
16. |
If You Ever Go
To |
17. |
Spirit On The
Water |
18. |
Blowin' In The
Wind |
Concert #
2139 of The Never-Ending Tour. Concert # 33 of the 2009 Europe Spring Tour.
2009 concert # 33.
Concert #
410 with the 20th Never-Ending Tour Band: Bob Dylan
(vocal & keyboard), Stu Kimball (guitar), Denny Freeman (guitar), Donnie Herron (violin, mandolin, steel
guitar), Tony Garnier (bass), George Recile (drums & percussion).
2, 3 Bob Dylan (guitar).
1, 4-18 Bob Dylan (keyboard).
6, 8, 10, 11, 16-18 Bob Dylan (harmonica).
1, 18 Donnie Herron (violin).
5, 6 Donnie Herron (mandolin).
7 Donnie Herron (banjo).
12 Donnie Herron (viola).
Notes
Other Bob Dylan concerts in Dublin, Ireland:
Adelphi
Theatre |
|
R.D.S. |
|
R.D.S. |
|
The Point
Depot |
|
The Point
Depot |
|
The Point
Depot |
|
The Point
Depot |
|
Vicar
Street |
|
The Point
Depot |
|
The Point
Depot |
|
The Point
Depot |
|
The Point
Depot |
|
The O2 |
|
The O2 |
|
The O2 |
|
3Arena |
11 new songs (61%) compared to previous
concert. No new songs for this tour
Stereo audience recording, 120 minutes.
By courtesy of Michele
Ulisse Lipparini.
Session info updated 27 July 2020.
[TOP]